domingo, 24 de julho de 2011

Pauls Case, Part One



Source: www.manythings.org 


Our story today is called "Pauls Case."  It was written by Willa Cather. "Pauls Case" will be told in two parts.  Here is Kay Gallant with part one of the story.
Paul hated school. He did not do his homework. He did not like his teachers. Pauls father did not know what to do with him. His teachers did not know either. One afternoon, all his teachers at Pittsburgh high school met together with him to discuss his case. Paul was late. When he entered the room his teachers sat waiting for him.
He was tall for his age and very thin. His clothes were too small for him, but they were clean. He had a bright red flower in the button hole of his black jacket. One of the teachers asked paul why he had come to the meeting. Paul said politely that he wanted to do better in school. This was a lie. Paul often lied.
His teachers began to speak. They had many complaints. One said Paul talked to the other students instead of paying attention to the lessons. Another said Paul always sat in class with his hands covering his eyes. A third teacher said Paul looked out the window instead of looking at her. His teachers attacked him without mercy.
Pauls eyesbrows moved up and down as his teachers spoke. His smile never left his face, but his fingers shook as he touched the flower on his coat. At last the meeting was over. Pauls smile got even wider. He bowed gracefully and left the room.
His teachers were angry and confused. The art teacher spoke for all of them when he said there was something about paul that he didnt understand. "I dont think he really means to be bad," he said. "Theres just something wrong with that boy."  Then the art teacher remembered one warm afternoon when Paul had fallen asleep in his class. Pauls face was white with thin blue veins under the skin. The boys face looked tired and lined, like an old mans. His eyebrows moved up and down, even in his sleep.
After he left the meeting, Paul ran down the hill from the school whistling. He was late for his job at the concert hall. Paul was an usher there. He showed people to their seats. He carried messages for them. He brought them their programs with a polite bow. Everyone thought he was a charming boy and the best usher at the hall.
When Paul reached the concert hall that evening, he went immediately to the dressing room. About six boys were already there. Paul began changing his clothes with excited hands. He loved his green uniform with the gold pockets and design.
Paul rushed into the concert hall as soon as he had changed clothes. He ran up and down the hall, helping people. He became more and more excited. His face became pink and his eyes seemed larger and very bright. He looked almost handsome. At last everyone was seated. The orchestra began to play and Paul sat down with a sign of relief.
The music seemed to free something in Pauls spirit. Then a woman came out and began to sing. She had a rich, strong soprano voice. Paul felt truly happy for the first time that day.
At the end of the concert Paul went back to the dressing room. After he had changed his clothes again he went outside the concert hall. He decided to wait for the singer to come out. While he waited he looked across the street to the large hotel called "The Schenley."  All the important people stayed at The Schenley when they visited Pittsburgh. Paul had never been inside it, but he used to stand near the hotels wide glass doors. He liked to watch the people enter and leave. He believed if he could only enter this kind of a hotel, he would be able to leave school, his teachers, and his ordinary, gray life behind him. . . forever.
At last the singer came out of the concert hall. Paul followed her as she walked to the hotel. He was part of a large crowd of admirers who had waited to see her. When they all reached the hotel, she turned and waved. Then the doors opened and she disappeared inside. Paul stared into the hotel as the doors slowly closed. He could feel the warm, sweet air inside. And for a moment, he felt part of a golden world of sparkling lights and marble floors. He thought about the mysterious dishes of food being served in the hotels dining room. He thought about green bottles of wine growing cold in silver buckets of ice.
He turned away from the hotel and walked home. He thought of his room with its horrible yellow wallpaper, the old bed with its ugly red cover. He shook his head.
Soon he was walking down the street where he lived. All the houses on Cordelia Street were exactly alike. Middle class businessmen had bought them for their families. All their children went to school and to church. They loved arithmetic. As Paul walked toward his house he felt as if he were drowning in ugliness. He longed for cool colors and soft lights and fresh flowers. He didnt want to see his ugly bedroom or the cold bathroom with its cracked mirror and gray floor.
Paul went around to the back of his fathers house. He found an open window and climbed into the kitchen. Then he went downstairs to the basement. He was afraid of rats. But he did not want to face his own bedroom. Paul couldnt sleep. He sat on the floor and stared into the darkness until morning came.
The following Sunday Paul had to go to church with his family. Afterwards, everyone came home and ate a big dinner. Then all the people who lived on Cordelia Street came outside to visit each other.
After supper Paul asked his father if he could visit a friend to get some help with his arithmetic. Paul left the house with his school books under his arm. But he didnt go to his friends house. Instead he went to see Charley Edwards. Charley was a young actor. Paul liked to spend as much time as he could at the theater where Charley Edwards and his group acted in their plays.
It was only at the theater and the concert hall that Paul felt really alive. The moment he smelled the air of these places he felt like a prisoner suddenly set free. As soon as he heard the concert hall orchestra play he forgot all the ugly, unpleasant events in his own life.
Paul had discovered that any kind of music awakened his imagination.
Paul didnt want to become a musician, however. He didnt want to become an actor, either. He only wanted to be near people who were actors and musicians. He wanted to see the kind of life these artists led.
Paul found a schoolroom even worse after a night at the theater or the concert hall. He hated the schools bare floors and cracked walls. He turned away from his dull teachers in their plain clothes. He tried to show them how little he thought of them and the studies they taught.
He would bring photographs of all the actors he knew to school. He would tell the other students that he spent his evenings with these people at elegant restaurants. Then he would announce that he was going away to Europe or to California, or to Egypt for a while. The next day he would come to school smiling nervously. His sister was ill, he would say. But he was still planning to make his trip next spring.
Pauls problems at school became worse. Even after the meeting with his teachers, things did not get better. He told them he had no time to study grammar and arithmetic. He told them he had to help the actors in the theater. They were old friends of his.
Finally, his teachers went to Pauls father. He took Paul out of school and made him get a job. He told the manager at the concert hall that Paul could not work there anymore. His father warned the doorman at the theater not to let Paul into the place. And Charley Edwards promised Pauls father not to see Paul again.
All the actors at the theater laughed when they heard about the stories Paul had been telling. The women thought it was funny that Paul had told people he took them out to nice restaurants and sent them flowers. They agreed with the teachers and with his father that Pauls was a bad case.
(MUSIC)
ANNOUNCER:
You have just heard part one of the American story "Pauls Case."  It was written by Willa Cather. Your storyteller was Kay Gallant.  Listen again next week at this time for the final part of "Pauls Case" told in Special English on the Voice of America.  Im Steve Ember

Get to know the Seridó

Since yesterday I was busier guiding people on tour visiting the Archaeological's sites and the tourist spots. Henrique and Silvanne is a nice couple from Rio Grande do Sul State, they came to Rio Grande do Norte, in particular they are visiting the Region of Seridó, and so far, they are enchanted with our hospitality and hospitality, the way of life of people in the countryside of Rio Grande do Norte. Check out the pictures, I'm sure they enjoyed a lot. Yesterday we went to visit the archaeological's sites Xique-Xique I, II, and IV, as well after we had lunch we went to visit Talhado do Gavião. Today's morning we went the Fundoes a canyons rock forming and also Itaquatiaras (Petroglyphs). Have a look at the pictures. 

                         Henrique and Silvanne ready for a hiking towards Fundoes
                          Trail of Fundoes
                          Petroglyphs
                          We're almost there on Fundoes
                          Fundoes 7 petroglyphs
                          Coroa de Frade (Frier's crown) it's a kind of cactus typical from the Caatinga ecosystem. 

SANANDA GOES SOLO

Source: SPEAK UP


SANANDA GOES SOLO

If you want to hear a biting indictment of the music industry, then you could hardly to better than have a conversation with Sananda Maitreya. If the name doesn’t sound entirely familiar, then that’s because he has  changed it. In a previous life he was known as Tenence Trent D’Arby and he sold millions of records in the 1980s and 1990s.
The decision to change his name (in October 2001) came after a series of dreams, but he thinks that the prime reason was his sense of revulsion at an industry that had to “assume control of my identity.”
EVIL
Today Sananda Maitreya lives and records music in Europe, where he recently met with Speak Up. He told us that he had left “the system” because he was tired of being “bullied and dictated to. They owned me and they tried to dismantle every thing I put together. They saw me as a corporate brand: they ripped away my identity.” Yet he doesn’t think that it’s only the recording industry that has been mistreating him:  “I can’t remember a time in my life (he was born Terence Trent Howard on March 15th, 1962 –ed) when someone wasn’t trying to manipulate me to get something from me.”
THE CURRENT CRISIS

Sananda sees the music business as being part of the “corporate system that has been bashing us for years.” He believes that the recent financial meltdown was inevitable, as these people “have been stealing from us for years.” Yet eh finds satisfaction in to be one of the world’s top six industries. Now it isn’t even in the top 25.”
Of course Sananda isn’t the first artist to turn his back on the labels. Prince famously began calling himself “The Artist Formerly Known as Prince,” while Radiohead (like Prince) recently started to distribute their own ‘work online, enjoying the freedom that the digital revolution has allowed.
Maitreya similarly releases his music online. His album Angels & Vampires Volume I (2005) and Volume II (2006) are downloadable on MP3. So are his latest albums Nigor Mortis – A critical Mass and Lovers & Fighters. The latter is a live recording of several of his European concerts. Given that he is now free to “do his own thing.” We were curious to know why he was so angry about an industry is “part of the octopus that is controlling western consciousness” and he is particularly irritated that it has lost its “spiritual sides,” which was represented by ground-breaking artists like the Beatles and Jimi Hendrix, and that it is now dominated by “its corporate side.”
ON THE TEAM
For, as is perhaps apparent, Sananda (whose father was a Pentecostal minister) has a strong spiritual and religious element and he sees his musical talent as a gift: “I belong to Gabriel’s team. I work for heaven’s music department. It (his talent –ed) doesn’t come from me.”
Sananda also sees himself as part of a tradition of musical independence. For, as he reminded Speak Up: “Mozart and Beethoven also had a problem with the system!’ And left  the system.” Clearly, Sananda is not alone. 

sábado, 23 de julho de 2011

Alline Moraes back with a bang

People and TV
Source: www.maganews.com.br 


Alline Moraes back with a bang
After a brilliant performance in 2008, playing a psychopath in the soap opera Duas Caras, Alline has come back with a bang [1]. In Viver a Vida she plays a model who ends up in a wheelchair after suffering a serious accident

Beauty helps open a lot of doors. One good example of this is to be found on television. In recent years beautiful models have been invited to act in soap operas and series. Alline Moraes was one of them. In 2002 a Globo director was amazed [2] by her beauty and decided to invite the young model to act in the soap opera “Coração de Estudante.” She went on [3] to make other soap operas but without impressing the critics. In 2008, however, Alline was outstanding [4] when she played an anti-hero for the first time in her career – the psychopath Sílvia in the soap opera Duas Caras. She was so convincing that Brazil was outraged [5] by the character. Now Alline is back in the limelight [6] because of her performance in the soap opera “Viver a Vida” (Globo 9 PM). She has thrilled millions with her performance as Luciana, a rich and spoiled [7] model who is left quadriplegic [8]after a serious car accident in Jordan.
Career on the catwalk
Alline Moraes was born in SorocabaSão Paulo State, in December 1982, and began working as a model at just 14 years old. Throughout her teens [9] she worked in such cities as TokyoParisMilan, and New York. In recent years she has dedicated herself more to acting [10]. Despite the fame and glamour, Alline likes simple things, like meeting people and visiting new places. Her favorite thing, however, is working. In her blog, Alline describes herself as an authentic workaholic.
Matéria publicada na edição de número 53 da Revista Maganews
Áudio (narração) – Aasita Muralikrishna
Vocabulary
with a bang – gíria = com força
amazed – impressionado
she went on – aqui = ela seguiu em frente / seqüência
outstanding – excelente
to be outraged – ficar indignado / revoltado
in the limelight – exp.idiom. = em evidência / sob os holofotes
spoiled – mimada (o)
8 quadriplegic – tetraplégica (o)
throughout her (or his) teens – durante a sua adolescência
10 acting – atuar como atriz ou ator

You Can Leave your hat on.

Source: http://www.englishexercises.org/makeagame/viewgame.asp?id=4581 All credits for Teacher Irina.

                                                          
 
Baby take off your 
Real slow
Take off your 
I'll take off your 
Baby take off your 
Yes, yes, yes

You can leave your 
You can leave your 
You can leave your 

Go over there, turn on the 
Hey, all the 
Come over here, stand on that 
Yeah, that's right
Raise your  up in the air
Now shake 'em
You give me reason to 
You give me reason to live
You give me reason to 
You give me reason to live

Sweet darling, (you can leave your )
You can leave your 
Baby, (you can leave your )
You can leave your 
(You can leave your )
 (You can leave your )

Suspicious  are talkin'
They're tryin' to tear us 
They don't  in this love of mine
They don't  what love is

They don't what love is
They don't  what love is
They don't  what love is
Yeah, I  what love is

There ain't no way
(You can leave your )
You can leave your 
(You can leave your )
Give me the reason to live
(You can leave your )
You can leave your 
 

Benito Cereno, Part Three

Benito Cereno, Part Three






Source: American Stories in VOA Special English
www.manythings.org/voa/stories

ANNOUNCER: Now, the V.O.A. Special English program, American Stories.
(MUSIC)
Today we complete the story of Benito Cereno, written by Herman Melville.
As we told you in earlier parts of our story, rebel slaves seized the ship San Dominick off the coast of Chile. They killed many of its officers and crew. The captain, Benito Cereno, was ordered to sail to Senegal. But first, he was forced to take the ship to the lonely island of Santa Maria, near the southern end of Chile.  There, it could safely get water and supplies for the long, dangerous voyage to Africa.
At the island, the rebels were surprised and frightened when they found an American ship anchored in the harbor.  It also had stopped for water.  Many of the rebels wanted to sail away.  But their leader, Babo, opposed it.  They had little water and food, and could not go far.  Babo created a story to keep anyone from suspecting that the Spanish vessel was in the hands of rebels, and that its captain was a prisoner.
At first, Babo seemed successful. The captain of the American ship, Amasa Delano, visited the San Dominick.  He suspected nothing, although surprised by the general disorder on board.  He also could not understand the strange behavior of its captain, Benito Cereno.  Later incidents, however, began to worry him.  Captain Delano grew more and more suspicious.  At one time, he even feared that his life might be in danger.
Twice, he caught the Spanish captain and his servant, Babo, with their heads together, whispering like two conspirators.  It made Captain Delano wonder. Were they plotting to kill him and seize his ship?  Who were these men, cut throats?  Pirates?
Captian Delano grew nervous. Then, he was happy to see his whale boat off in the distance.  It was returning with supplies for the Spanish ship. The sight of his boat calmed him.  It made his suspicions and fear quickly disappear.  He felt foolish for having had such dark thoughts.
Now, here is Shep ONeal with the rest of our story, "Benito Cereno."
STORYTELLER:  Captain Delano went down to Captain Cereno's cabin to cheer him up and say goodbye.  "Better and better, Don Benito," he said as he entered the cabin, "your troubles will soon be over."  The American invited the Spanish captain to come aboard his boat for a cup of coffee.
Cereno's eyes brightened. But then the light in them died. He shook his head and said he could not accept the invitation.  Captain Delano was offended.  He was about to withdraw when Don Benito rose from his chair and took Delano's hand. The Spaniard's hand shook.  And he was too excited to speak.  Delano pulled his hand away and turned, climbing back to the deck.  His face was troubled.
Captain Delano could not understand Don Benitos actions.  One minute the Spaniard was warm and polite. Then -- just as quickly -- cold and hostile. Captain Delano asked himself: Why did he refuse to join me? Why is he so unfriendly?
Captain Delano got to the deck and was about to step down into his boat when he heard his name. To his surprise, Don Benito was calling, coming quickly toward him.
Captain Delano was pleased and turned back to meet him.  Don Benito warmly took his hand, with more energy and emotion than he had ever shown. But his excitement seemed too much for him, and he could not speak.  Babo then came between the two men and put his arm around Don Benito to support him. Clearly, he wanted to end the meeting between the two captains.
Walking between the two men, Babo went with them to the walkway.  Don Benito would not let go of Captain Delano's hand.  He held it tightly across the servant's body.
Soon, they were standing by the ship's side, looking down onto the American boat.  Its crew turned up their wondering eyes. Captain Delano did not know what to do as he waited for Don Benito to let go of his hand.  He wanted to step down into his boat. But Don Benito still firmly held his hand.
Then, in an excited voice the Spaniard said: "I can go no further. Here I must say goodbye.  Farewell, my dear, dear Don Amasa.  Go! Go!"  And he tore his hand loose.  "Go, and God protect you better than he did me.  Go, Don Amasa, my best friend."
Captain Delano was deeply moved.  He would have stayed for another minute or so, but he caught the eye of Babo.  It seemed to say, 'This is bad for Don Benito's health.' And so he quickly took the short step down into his boat with the continuing farewells of Don Benito, who stood rooted at the ship's side.
Captain Delano sat down in the back of his boat, gave Don Benito a last salute, and ordered his men to push off.  The boat began to move.  Suddenly, Don Benito sprang over the side and came down at Delano's feet.  And he kept shouting toward the Spanish ship.  His cries were so wild that no one could understand him.
An American officer asked what does this mean. Captain Delano turned a cold smile upon Captain Cereno and said he neither knew nor cared.  It seems, he added, that the Spaniard has taken it into his head to give his people the idea that we want to kidnap him.  Or else…and suddenly Captain Delano shouted: "Watch out for your lives!" He saw Babo, the servant, on the rail above, with a dagger in his hand. He was ready to jump.
What followed happened so quickly that Captain Delano could not tell one incident from another. They all came together in one great blur of violent action and excitement.
As Babo came down, Captain Delano flung Don Benito aside and caught the rebel leader, pulling the dagger from his hand. He pushed Babo firmly down in the bottom of the boat, which now began to pick up speed. Then, Babo, with his one free hand, pulled a second dagger from his clothes and struck at Captain Cereno. Captain Delano knocked it from his hand.
Now, he saw everything clearly: Babo had leaped into the whale boat – not to kill him – but to kill Captain Cereno.
For the first time, he understood the mysterious behavior of Don Benito – a prisoner under sentence of death.   He looked back at the Spanish ship and got a clear picture of what its captain had escaped.
On board the San Dominick, the shouting rebels were raising their axes and knives in a wild revolt.  They stopped some of the Spanish sailors from jumping into the sea.  A few, however, jumped, while two or three, who were not quick enough, went hurrying up the top-most wood arms.
Captain Delano signaled to his ship, ordering it to get its guns ready. When the whale boat reached his ship Captain Delano asked for ropes. He tied Babo, and had him pulled up on deck.  A small boat was quickly sent out to pick up three Spanish sailors who had jumped from Captain Cereno's ship.
Captain Delano asked Don Benito what guns the rebels had. He answered that they had none that could be used.  In the first days of the rebellion, a cabin passenger now dead had destroyed the few guns there were.
The Americans fired six shots at the San Dominick. But the rebel ship moved out of reach. Small boats were armed and lowered. Captain Delano ordered his men into them. And they moved out to capture the rebel ship.
The boats caught up with the San Dominick when it was nearly night.  But the moon was rising, and the gunners were able to see where they were shooting. The rebels had no bullets.  And they could do nothing but yell.  Many of the rebels were killed and the San Dominick was captured.
After an investigation, Babo was found guilty of stealing a ship and of murder, and was hanged.  Captain Benito Cereno never was well again and he soon died. So, ended the terrible story of the slave revolt aboard the slave ship, the San Dominick.
(MUSIC)
You have just heard the American Story "Benito Cereno."  It was written by Herman Melville. Your storyteller was Shep ONeal.  Join us again next week for another American Story in V.O.A. Special English.  I'm Faith Lapidus.


sexta-feira, 22 de julho de 2011

IRELAND, DOORS OPEN

 DOORS OPEN

Source of the picture: www.destinoviagem.com


Source: www.speakup.com.br
Language level: C1 Advanced
Standard: British accent

U2 WERE HERE
In recent years Ireland has enjoyed an economic boom, even IF that stopped with the credit crunch of 2008. Yet life goes on in Dublin’s redeveloped docklands area. Here you will find the headquarters of financial and high-tech companies, such as Google, Facebook and Linkedin. The area also has plenty of new housing and there is a massive concert venue, the O2. Yet, as Loretta Lambkin of the Docklands Development Authority explains, the current economic crisis presents a challenge:
Loretta Lambkin
(Irish accent)
We also run a lot of events during the year, we have a huge event called the Docklands Maritime Festival, where we have tall ships and markets and street entertainment, so that we try and…enliven these areas all the time. So it’ll take a long time, and for Ireland to climb back out of the recession, it’s gong to take some time as well, and that has had a huge impact on us, but, you know, we continue to try and programme things to try and…and run things within our own capacities.
TOWER RECORDS
And it seems that even the legendary Dublin rock group U2 have felt the effects of Ireland’s current economic downturn:
Loretta Lambkin
U2 have always been synonymous with the Docklands area, they’ve always recorded all their albums down here. They started off in Windmill Lane, which most people would know. They now record most of their albums down in a studio in Hanover Quay. The plan was that we  would build a building called the U2 Tower and it would be one of the tallest building in the city, and at the top of that, the top two floors, would be where U2’s recording studios would be based: hence the name the U2 Tower. Now unfortunately, given the current climate, the economic climate in Ireland, we’ve had to postpone the project. So it is very much a live project in our plans for the future: however, it will be a couple of years away at this point.