quarta-feira, 20 de abril de 2011

The food that everyone loves

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Source: MAGANEWS.

Nutrition - Chocolate
The food that everyone loves

It is hard to resist, but be careful not to overdo [1] it. If consumed in moderation, chocolate can be good for your health

   For a while [2], chocolate was seen as an irresistible, butharmful [3], treat [4]. It was said that it could cause acne, diarrhea and headaches [5], besides making you fat [6]. However, several studies in recent years have found that chocolate could be more beneficial than harmful. It can, indeed, be bad for you if you overdo it. In this case, it can trigger [2] migraines or digestive disorders, besides piling on the pounds [8]. Doctors and nutritionists recommend that daily consumption not exceed 50 grams.  The good thing about chocolate, especially dark chocolate [9], is that it is has a high level of substances called flavonoids, which help slow the aging [10] process and help reduce the risk of heart disease. Besides being delicious, chocolate is nutritious because it contains vitamins A, B, C, D and E, and minerals such as iron [11] and phosphorus. The best chocolate in the world is produced in Belgium, France and Switzerland.

Matéria publicada na edição de número 60 da revista Maganews.
Foto – Ag. Vanderlei Alvarenga

Vocabulary
1 to overdo – exagerar / abusar

2 for a while – durante algum tempo
3 harmful – perigoso / prejudicial
4 treat – prazer
5 headache – dor de cabeça
6 to make fat – engordar
7 to trigger migraines – provocar enxaqueca
8 to pile on the pounds – exp. idiom. = ganhar uns quilinhos a mais
9 dark chocolate – aqui = chocolate amargo
10 aging – envelhecimento
11 iron - ferro

terça-feira, 19 de abril de 2011

Philo Farnsworth, 1906-1971: The Father of Television

Source: Voice of America Special English www.voanews.com 

source:http://www.crapo.senate.gov

I'm Phoebe Zimmermann. And I'm Steve Ember with PEOPLE IN AMERICA in VOA Special English. Today we tell about a man who made possible one of the most important communications devices ever created -- television. His name was Philo Farnsworth.
(MUSIC)
In nineteen sixty-nine, American astronaut Neil Armstrong climbed down the side of the space vehicle that had taken him to the moon.
As his foot touched the surface of the moon, pictures of the event were sent back to televisions on Earth. The pictures were not very good. It was hard to see astronaut Armstrong clearly. The surface of the moon was extremely bright. And the moon lander vehicle created a very dark, black shadow. But the quality of the television pictures was not important.
Every man, woman and child who saw the television pictures understood they were watching an important event. They were watching history take place as it was happening many hundreds of thousands of kilometers away.
For a few minutes, the poor quality television pictures captured the imagination of millions of people throughout the world. Experts believe about six hundred million people around the world watched as Neil Armstrong stepped from the space vehicle to the surface of the moon.
In the years since then, people around the world have shared in many events. Television has made it possible for people in distant places to share a single experience.
A television system changes light and sound waves from a moving picture into electronic signals that travel through the air. The signals are changed back into sound and pictures in a television receiver.
Scientists in Britain, Germany, France, Japan, the former Soviet Union and the United States all made important discoveries that led to the development of modern television. Yet it was a young boy living on an American farm who was the first person to invent and design what became television. He first thought of the idea of an electronic television when he was only fourteen years old. His name was Philo Taylor Farnsworth.
(MUSIC)
Philo Farnsworth was born on August nineteenth, nineteen-oh-six, near Indian Creek in the western state of Utah. The house he lived in for the first few years of his life had no electric power. But Philo read about electricity. He was very excited when his family moved to a new house in Idaho that had electric power. He quickly began to experiment with electricity. He built an electric motor when he was twelve. Then he built the first electric washing machine for clothes that his family had ever owned.
Philo Farnsworth attended a very small school near his family's farm. He did very well in school. He asked his teacher for special help in science. The teacher began helping Philo learn a great deal more than most young students could understand.
One night, Philo read a magazine story about the idea of sending pictures and sound through the air. Anyone with a device that could receive this electronic information could watch the pictures. The magazine story said some of the world's best scientists were working on the idea. It said these scientists were using special machines to try to make a kind of device to send pictures. The story made Philo think.
Fourteen-year-old Philo decided these famous scientists were wrong. He decided that mechanical devices would never work. They could never be made to move fast enough to clearly capture and reproduce an electronic picture sent through the air.
Philo decided that such a device would have to be electronic, not mechanical. Philo knew electrons could be made to move extremely fast. All he would have to do was find a way to make electrons do the work.
Very quickly Philo had an idea for such a receiver. It would trap light in a container and send the light on a line of electrons. Philo called it "light in a bottle."
Several days later, Philo told his teacher about a device that could capture pictures. He drew a plan for it that he gave his teacher. Philo's drawing seems very simple. But it still clearly shows the information needed to build a television. In fact, all television equipment today still uses Philo's early idea. Philo's teacher was Justin Tolman. Many years later Philo would say Mr. Tolman guided his imagination and opened the doors of science for him.
(MUSIC)
Philo Farnsworth had to solve several problems before he could produce a working television system. One was that he was only fourteen years old. He knew no one would listen to a child. In fact, experts say that probably only ten scientists in the world at that time could have understood his idea.
Philo also had no money to develop his ideas. His idea for a working television would have to wait. After only two years of high school, Philo entered Brigham Young University in Utah. But he did not finish his education. He was forced to leave school when his father died.
Philo did not give up his idea for creating a television. He began serious work on it when he moved to San Francisco, California a few years later. He was twenty-one years old.
On September seventh, nineteen twenty-seven, Philo turned on a device that was the first working television receiver. In another room was the first television camera. Philo had invented the special camera tube earlier that year.
The image produced on the receiver was not very clear, but the device worked. Within a few months, Philo Farnsworth had found several people who wanted to invest money in his invention.
In August, nineteen thirty, the United States government gave Philo patent documents. These would protect his invention from being copied by others.
Very soon, however, several other inventors claimed they had invented a television device. One of these inventors, Vladimir Zworykin, worked for the powerful Radio Corporation of America. The RCA company began legal action against Philo Farnsworth. It said Mr. Zworykin had invented his device in the nineteen twenties. The big and powerful RCA claimed that it, not the small Philo Farnsworth Television Company, had the right to produce, develop and market television.
The legal action between RCA and the Farnsworth company continued for several years. RCA proved that Mr. Zworykin did make a mechanical television device. But it could not demonstrate that the device worked.
At the same time, RCA claimed that Mr. Farnsworth had produced his television image tube after Mr. Zworykin had developed his. When Mr. Farnsworth said he had developed the idea much earlier, RCA said it was impossible for a fourteen-year-old boy to produce the idea for a television device. Company representatives said Mr. Farnsworth was not even a scientist. He had never finished college.
RCA said Philo Farnsworth should be forced to prove he had invented the television image tube. Philo could not prove he invented it. But his high school teacher could. In court, Justin Tolman produced the drawing that Philo had made for him many years before as a student. At that moment, the legal experts for RCA knew they had lost.
Philo Farnsworth won the legal action and the right to own the invention of television. However, he did not have the money or support to build a television industry. It was the nineteen fifties before television became a major force in American life. Vladimir Zworykin and David Sarnoff, the head of RCA, became the names connected with the new industry.
(MUSIC)
Philo Farnsworth continued to invent more than one hundred devices that helped make modern television possible. He also developed early radar, invented the first electronic microscope, and worked on developing peaceful uses of atomic energy. In his last years, Mr. Farnsworth became a strong critic of television. He did not like most of the programs shown on television. Yet, as he watched Neil Armstrong's first step on the moon, Mr. Farnsworth knew the event clearly showed the power of his invention.
Philo Farnsworth died in March, nineteen seventy-one. Today, a statue of him stands in the United States Capitol. He is considered one of the most important inventors of the twentieth century.
(MUSIC)
This program was written by Paul Thompson. It was produced by Lawan Davis. I'm Phoebe Zimmermann. And I'm Steve Ember. Listen again next week for PEOPLE IN AMERICA in VOA Special English.

The Sound of Silence

A song can teach much, this one, in special, it's simple beautiful, I remember when I was younger and I listened to this amazing song, check it out, friends, please. By Simon and Garfunkel


1. Unscramble the following lines
  Because a vision softly creeping
  Still remains
  Hello, darkness, my old friend
  Within the sound of silence
  Left its seeds while I was sleeping
  And the vision
  I've come to talk with you again
  That was planted in my brain
 
2. Unscramble the letters
In restless (smeard I walked alone
(awronr streets of cobblestone
(ethabne the halo of a street lamp
I turned my collar to the cold and (padm
When my eyes were stabbed
By the flash of a neon  (itlgh) 
That split the (gniht) 
And touched the sound of silence
 
3. Put the following verbs in the correct form in the gaps
see   talk   speak   hear   listen   write   share   dare
 
And in the naked light I 
Ten thousand people, maybe more
People  without 
People  without 
People  songs that voices never 
And no one 
Disturb the sound of silence
 
4. Tick the correct option
"FullsFools",said I, "you do not know
Silence like a dancercancergrows."
"HearFear my words that I might teach you,
Take my arms that I might richreachyou."
But my words like silent raindropsrainbowsfell,
And echoed in the wellswallsof silence. 
 
5. Tick the word that is not heard (one in each line)
 
Andthepeoplestillbowedandprayed
Totheneonlightgodtheymade.
SoAndthesignflashedoutitswarning
Intheloudwordsthatitwasforming.
Andthesignssaid:"Inthewordsoftheprophets
Arenowwrittenonthesubwaywalls
Andhightenementhalls,
Andwhisperedatinthesoundofsilence."

Rio, the movie: adventure and fun

Blockbuster

For Brazilians teachers and students I recommend you take out a maganews' subscription, affordable price for more information visit http://www.maganews.com
Rio, the movie: adventure and fun


The film tells the story of Blu, a macaw who leaves the comfort of his home in the USA and goes to Rio de Janeiroto meet a female macaw
  
    Rio de Janeiro is one of the most beautiful cities in the world, but in recent years its image has become associated with violence and crime. This bleak [1] picture of the city has been shown in several films, such as City of God. But now it is time for a film to show the beautiful and charming side of the Wonderful City. February 15 saw the world premiere of "Rio, the movie."The film opened a week earlier in Brazil, on February 8.This is one of the most eagerly [2]  anticipated films of the year because it was produced by the creators of Ice Age (1, 2 and 3).This time, however, the ice has been replaced by the heat of Rio's beaches. The film tells the story of Blu, a hyacinth macaw [3]  that has not learned to fly and he thinks he is the last of his kind[4]. He was raised in the house of a young American woman named Linda. Both live in Minnesota,USA. After discovering that there is another macaw in Brazil - a female macaw - he leaves the comfort of his home and heads to Rio, where he will have great adventures and make new friends. Blu will face three challenges: to get away [5]  from animal traffickers [6], to win over [7] Jewel, the beautiful female macaw, and to learn how to fly. The film was directed by Carlos Saldanha, who directed Ice Age.  The soundtrack features big names like Will.I.Am (from Black Eyed Peas) and the Brazilians Sergio Mendes and Carlinhos Brown.

Matéria publicada na edição de número 60 da revista Maganews.
Foto – Divulgação


Vocabulary
1 bleak picture – quadro sombrio

2 most eagerly anticipated – mais aguardado
3 hyacinth macaw – arara azul
4 kind – aqui = espécie
5 to get away – escapar / fugir
6 animal traffickers – traficantes de animais
7 to win over – conquistar

segunda-feira, 18 de abril de 2011

HAPPY FRIENDSHIP'S DAY


Source of the picture kidslugarsantissimo.blogspot.com

Today, April 18th is the Friend's Day, actually I'm going to pay a single tribute for those friends from all over the world, on Facebook, Networked bloggers, Bloggers and you, dear readers for your kindness and friendship. World needs peace, love and people who struggle for human rights, and spread friendship and love around the world. Thank you a lot for this special day. By Carlos


Source: http://www.friendshipday.org Significance of Friends 

True friendship is about putting your feet up and knowing that someone is there to bail you out when the world might walk out on you. Besides, as a support system in today's hectic world, friends are the most reliable sources for social, intellectual and creative stimulations. 



In the present fast pace age of nuclear families where people have little time to spend with each other, friends have become indispensable. Then there are times when we find it tough to discuss matters with our family members or even with our spouse, it is on occasions such as these that friends come to our support. They guide us and become our pillar of strength when we need them most. And the best part is we don't really need to put things in words when communicating issues to our best friends. Most often friends understand us, just by looking at us or hearing our voice. This heart-to-heart bonding is what makes friendship so exclusive, setting it apart from all other relationships. 



Significance of Expressing Love to Friends
Howsoever strong a relationship maybe, it constantly needs to be nurtured with love and care. We must therefore never lose an opportunity to express our feelings and the warmth we may be experiencing for our friends. We may do this by sending flowers, a heartfelt card or a thoughtful gift. We may also do this by being together with a friend in times of joy or sorrow. The idea is to keep expressing our unconditional love and support to our dearest friend let the friendship evolve. 



Significance of Friendship Day
At times we get so busy in our daily lives that we start taking our friends for granted. It is the annual celebration of Friendship Day that reminds us that we must cherish the presence of friends in our lives and acknowledge with love the important role they play in our lives. One must therefore celebrate friendship on Friendship Day to the fullest and let their friendship soar to newer heights.

LET THE MUSIC PLAY!


Source: Speak Up

LET THE MUSIC PLAY!

By: Kathleen Becker

Most people who travel to Dublin visit Temple Bar, a central area on the south bank of the River Liffey. Temple Bar is undoubtedly a success story. In the 1980s, it was nearly pulled down in order to build a large bus depot. Today its medieval cobblestone streets are promoted as Dublin’s “cultural quarter.” Here you will find institutions such as the Irish Photography Center or Irish Film Institute, but also many trendy clothes shops, cafés, art galleries –and a multitude of pubs and restaurants. Ireland’s largest Irish-owned brewery. The Porterhouse, is also in Temple Bar.

THE DOWN SIDE

Over the past years Temple Bar have, however, had its critics. The beer is expensive, and at weekends, raucous stag rights and hen parties transform the area into one big drinking contest. Big commerce, in the form of the Hard Rock Café and other chains, is more evident now.

ENTER TRADFEST…

In 2006, an association supporting local merchants, TASCQ (These letters stand for “Traders in the Area Supporting the Cultural Quarter Ltd”) created a new festival to celebrate Irish traditional music.

The Temple Bar TradFest presents a combination of the old and the new. This year, vintage musicians sucha as Clannad will play together with new-wave bands like Brendan Power or Téada (meaning) “strings” in Irish who won “Best Young Traditional Act” at the 2009 Ireland’s Music Awards. Another highlight could be Beoga (meaning “lively”), with their World Music made in Northern Ireland. The Wall Street Journal called Beog “the most exciting new traditional band to emerge from Ireland this century,” while their bodhrán percussionist is four-times All-Irish champion.

Trandionally, Irish Folk music involves violin, an accordion, the tin whistle flute, the guitar, pipes and the bodrhán. The faster jig.

INTERNATIONAL SUCCESS

The classic image of “trad” music is of men in tweed jackets playing a session in a pub. Half of TradFest’s 30.000 visiotrs in 2009, were, however, young and female.

Today, both in Ireland and around the world, traditional music is doing very well. Acts like Riverdance, which began as an interval entertainment at the Eurovision Song Contest, made Irish dancing sexy. Traditional singing is having a renaissance too. Technically, the level is better than ever, as musicians can now learn tunes and techniques from the internet and at festivals. The Temple Bar TradFest is an excellent opportunity to chatch some of the best acts playing today.

TEMPLE BAR TRADEST 2011

tradFest 2011 ( www.templebartrad.com ) runs fromJanuary 26th to 30th.

Look out for the two-hour crash courses in Irish song, dance and language run by Gaelchultúr. Flight to Dublin ( www.aerlingus.com or budget www.ryanair.com ) are cheap at this time of year.

Accommodation ranges from the boutique Clarence Hotel ( www.theclarence.ie ), owned by U2 members, Bono and The Edge, to cheap hostels such as Barnacle’s Temple Bar House on 19 Temple Lane ( www.barnacles.ie ).

The friendly Brick Alley Café in Fleet Street serves good snacks with fair trade coffees.

For dinner, Eden restaurant on Meeting House Square ( www.edenrestaurant.ie ) is a classy option for contemporary Irish food. For a good pint and atmosphere, try The Porterhouse microbrewery at 16/18 Parliament Street ( www.porterhousebrewco.com ), the Temple Bar Pub on 47/48 Temple Bar ( www.thetemplebarpub.com ) or the Vathouse in Anglesea Street ( www.vathouse.ie ).

TASQ ( www.tascq.ie ) has a useful information office at 27 Eustace Street. For further information, contact: www.tourismireland.com

Louis Armstrong, 1901-1971: 'The Ambassador of American Jazz'

Louis Armstrong, 1901-1971: 'The Ambassador of American Jazz' 



Source: 


This is Gwen Outen. And this is Steve Ember with PEOPLE IN AMERICA in VOA Special English. Today we tell about Louis Armstrong, one of the greatest jazz musicians.  His voice, trumpet-playing skill and creativity continue to influence jazz artists today.  One of Louis Armstrong's biggest hits was "Hello Dolly."
(MUSIC: "Hello Dolly")
Louis Armstrong played jazz, sang jazz and wrote jazz.  He recorded hit songs for fifty years and his music is still heard today on television, radio and in movies.
Louis Armstrong was born in New Orleans, Louisiana on August fourth, nineteen-oh-one.  New Orleans is a port city at the mouth of the Mississippi River.  It is a city where the customs of many different people mixed together.
Louis Armstrong grew up in Storyville, one of the poorest areas of New Orleans.
His father left the family shortly after he was born.  His mother worked to support him and his sister.  But Armstrong spent most of his time with his grandmother.
Jazz was just beginning to develop when Louis was a boy.  It grew out of the blues songs and ragtime music that had been popular at the turn of the century.
Louis discovered music early in life.  He was surrounded by it.  The music of churches, bands, parades and drinking places were all a daily part of New Orleans culture.  Louis sang with other boys on the streets for money.  There he began to develop his musical skills.
When he was eleven years old, Louis was sent to a reform school for firing a gun outside to celebrate New Year's Eve.  At the school, he learned to play the trumpet in the school's brass band.
Louis spent eighteen months at the reform school.  Then he went back to work.  He sold newspapers, unloaded boats and sold coal from a horse and cart.  He also listened to bands at popular clubs in Storyville.  Joe "King" Oliver played with the Kid Ory Band.  He soon became young Louis's teacher.  As Louis's skills developed, he began to perform professionally.
At the age of eighteen, Armstrong joined the Kid Ory Band, one of the finest bands in New Orleans.  The experience helped him develop his music skills.  Armstrong later replaced King Oliver in the band when Oliver moved to Chicago, Illinois.  In nineteen-nineteen, Armstrong joined Fate Marable's band in Saint Louis, Missouri.  Marable's band played on steamboats that traveled up and down the Mississippi River.  Working with Marable helped prepare Armstrong to play for white audiences.
In nineteen twenty-two, Armstrong left the Marable Band to play with King Oliver in Chicago.  By then, Chicago had become the center of jazz music.
A year later, Armstrong made his first recordings as a member of King Oliver's Creole Jazz Band.  He later moved to New York City, where he influenced the Fletcher Henderson Orchestra with his creativity.
Armstrong returned to Chicago in nineteen twenty-six and formed his own group.  They were called the Hot Five and later the Hot Seven.  Their recordings are considered some of the most influential in jazz history.
Armstrong could make his voice sound like a musical instrument.  He could make an instrument sound like a singer's voice.  The song "Heebie Jeebies" is said to be the first recorded example of what became known as scat singing.  He recorded it with the Hot Five.
(MUSIC)
By nineteen twenty-nine, Armstrong was becoming very popular.  He returned to New York to play in an all-black Broadway musical called "Hot Chocolates."  The show included the music of Fats Waller.  Armstrong's version of Waller's song, "Ain't Misbehavin', was a huge hit.
(MUSIC)
By the end of the nineteen twenties, Armstrong had formed his own band.  In nineteen thirty-two, he sailed to England, and had great success.  A reporter there called him "Satchmo," and he kept that nickname for the rest of his life.  For the next three years, Armstrong played in cities across the United States and Europe.
Louis Armstrong returned to the United States in nineteen thirty-five.  He hired Joe Glaser to be his manager.  Glaser proved to be a great manager and friend.
Glaser organized a big band called Louis Armstrong and his Orchestra.  It was one of the most popular groups of the "swing" music period.  Swing was a style of jazz played by big bands in the nineteen thirties.
The group played together for the next ten years.  During that time, Armstrong became one of the most famous men in America.  He experienced racial unfairness during his life.  But he rarely made public statements.  One time, however, he criticized the way the government treated blacks in the American South in the nineteen fifties.  Newspapers accused him of being a troublemaker for speaking out.
In the nineteen forties, Armstrong grew tired of leading a large group.  For the remaining years of his life, he led a six-member group called the All Stars.  The group included some of the best musicians in America.  They performed extensively in Africa, Asia, Europe and South America.
Over the years, Armstrong recorded with many famous musicians. For example, he worked with singers Ella Fitzgerald and Bing Crosby and the great composer Duke Ellington.  Armstrong was known as friendly and easy to work with.
Armstrong's biggest hits came later in his life.  The song "Mack the Knife" was a big hit in nineteen fifty-five.  In nineteen sixty-four, his version of the song "Hello Dolly" was the top hit around the world.  It even replaced a top-selling hit by the hugely popular British rock group, the Beatles.  Three years later, he appeared in the motion picture version of "Hello Dolly" with singer Barbra Streisand. The song "What a Wonderful World," recorded in nineteen sixty-eight, was his final big hit.
(MUSIC)
Louis Armstrong never finished the fifth grade in school.  Yet he wrote two books about his life and many stories for magazines.  He appeared in more than thirty movies.  He composed many jazz pieces.  He won several gold records and many other awards.  Armstrong performed an average of three hundred concerts each year, traveling all over the world.  He became known as the ambassador of American Jazz.
Louis Armstrong was married four times.  Lucille Armstrong was his fourth wife.  They married in nineteen forty-two and stayed together for the rest of his life.  They had no children.
Louis Armstrong died in nineteen seventy-one.  His death was front page news around the world.  In nineteen seventy-seven, his home in Queens, New York, was declared a national historic place.  It is now a museum.  For more information about Louis Armstrong and his house, you can go to the museum's Internet Web site.  The address is www.satchmo.net.
(MUSIC)
This program was written and produced by Cynthia Kirk. This is Gwen Outen. And this is Steve Ember.  Listen again next week for PEOPLE IN AMERICA in VOA Special English.