Mostrando postagens com marcador London. Mostrar todas as postagens
Mostrando postagens com marcador London. Mostrar todas as postagens

quinta-feira, 27 de outubro de 2011

London Gothic


Source: Speak Up
Source of the picture: londonhotelsinsight.com

London Gothic

Visiting Highgate Cemetery is like stepping into another world. Just a few miles from the bustle of central London you can find Egyptian architecture and Gothic atmosphere. Here nature is quietly taking over old tomb stones in the final resting place of the famous and the forgotten.

Among those buried at Highgate are Karl Marx, much of the dickens family, the novelist George Eliot and the scientist Michael Faraday. Novels have been set here and movies have been filmed in the cemetery. If feels like a secret garden with foxes, butterflies and grand old monuments. And Highgate is still a working cemetery, although things have changed since it opened.

London in the 1830s was a stinking, overcrowded place. The population had doubled in a few decades. The dead were buried together in shallow graves between houses. Something had to be done to solve the problem, so seven new cemeteries were built (known as “The Magnificent Seven”). Highgate Cemetery was opened in 1839 on a hillside to the north of the city.

STATUS SYMBOL

With its views over London, Highgate became a fashionable cemetery. The Victorian middle classes buried their dead in style here. The elaborate funerals and expensive monuments were signs of social status and prestige. People strolled around the cemetery on a Sunday afternoon, admiring the beautiful lawns and the grand tombs.

The architecture was impressive. Two chapels were built in the Tutor style, and there were Victorian Gothic and Classical structures. But the centerpiece was the Egyptian Avenue. The avenue led to the Circle of Lebanon – catacombs to hold 825 people around and old Cedar of Lebanon tree.

VAMPIRES!

By the 1860s there were more than 30 burials a day, and the new East Cemetery was opened. But the demand for ornate funeral fell, and a century later the cemetery was overgrown, vandalized and practically forgotten.

Around this time there were reports of a vampire haunting the cemetery. The story became a media sensation, and people broke tombs at night and put garlic in coffins. One of those involved was jailed for damage to the cemetery. But the legend lives on – the movie Highgate Vampire was due for release in 2010, but has been delayed through this year.

LIFE AFTER DEATH

The cemetery closed in 1975, but the Friends of Highgate Cemetery were formed the same year to rescue and preserve this unique space. Their philosophy is “managed neglect” they have restored many of the tombs and monuments, while allowing nature to take over in other areas.

Today, Highgate Cemetery is a beautiful woodland full of wildlife. It is peaceful, enchanting and gothic. People are still buried here, while other come from around the world to visit Karl Marx’s grave. But among the fantastic monuments and family mausoleums, each overgrown gravestone has a story to tell.

quinta-feira, 11 de agosto de 2011

Keesh




American Stories in VOA Special English
www.manythings.org/voa/stories 

Keesh 



Our story this week is "Keesh."  It was written by Jack London. Here is Shep O'Neal to tell you the story.
(MUSIC)
Keesh lived at the edge of the polar sea. He had seen thirteen suns in the Eskimo way of keeping time. Among the Eskimos, the sun each winter leaves the land in darkness. And the next year, a new sun returns, so it might be warm again.
The father of Keesh had been a brave man. But he had died hunting for food. Keesh was his only son. Keesh lived along with his mother, Ikeega.
One night, the village council met in the big igloo of Klosh-kwan, the chief. Keesh was there with the others. He listened, then waited for silence.
He said, "It is true that you give us some meat. But it is often old and tough meat, and has many bones."
The hunters were surprised. This was a child speaking against them. A child talking like a grown man!
Keesh said, "My father, Bok, was a great hunter. It is said that Bok brought home more meat than any of the two best hunters. And that he divided the meat so that all got an equal share."
"Naah! Naah!" the hunters cried. "Put the child out! Send him to bed. He should not talk to gray-beards this way!"
Keesh waited until the noise stopped. "You have a wife, Ugh-gluk," he said.  "And you speak for her. My mother has no one but me. So I speak. As I say, Bok hunted greatly, but is now dead. It is only fair then that my mother, who was his wife, and I, his son, should have meat when the tribe has meat. I, Keesh, son of Bok, have spoken."
Again, there was a great noise in the igloo. The council ordered Keesh to bed. It even talked of giving him no food.
Keesh jumped to his feet. "Hear me!" he cried. "Never shall I speak in the council igloo again. I shall go hunt meat like my father, Bok."
There was much laughter when Keesh spoke of hunting. The laughter followed Keesh as he left the council meeting.
The next day, Keesh started out for the shore, where the land meets the ice.  Those who watched saw that he carried his bow and many arrows. Across his shoulder was his father's big hunting spear. Again there was laughter.
One day passed, then a second. On the third day, a great wind blew. There was no sign of Keesh. His mother, Ikeega, put burned seal oil on her face to show her sorrow. The women shouted at their men for letting the little boy go. The men made no answer, but got ready to search for the body of Keesh.
Early next morning, Keesh walked into the village. Across his shoulders was fresh meat. "Go you men, with dogs and sleds. Follow my footsteps. Travel for a day," he said.  "There is much meat on the ice. A she-bear and her two cubs."
His mother was very happy. Keesh, trying to be a man, said to her, "Come, Ikeega, let us eat. And after that, I shall sleep. For I am tired."
There was much talk after Keesh went to his igloo. The killing of a bear was dangerous.  But it was three times more dangerous to kill a mother bear with cubs. The men did not believe Keesh had done so. But the women pointed to the fresh meat. At last, the men agreed to go for the meat that was left. But they were not very happy.
One said that even if Keesh had killed the bear, he probably had not cut the meat into pieces. But when the men arrived, they found that Keesh had not only killed the bear, but had also cut it into pieces, just like a grown hunter.
So began the mystery of Keesh.
On his next trip, he killed a young bear…and on the following trip, a large male bear and its mate.
Then there was talk of magic and witchcraft in the village. "He hunts with evil spirits," said one. "Maybe his father's spirit hunts with him," said another.
Keesh continued to bring meat to the village. Some people thought he was a great hunter. There was talk of making him chief, after old Klosh-kwan. They waited, hoping he would come to council meetings. But he never came.
"I would like to build an igloo." Keesh said one day, "but I have no time. My job is hunting. So it would be just if the men and women of the village who eat my meat, build my igloo." And the igloo was built. It was even bigger than the igloo of the Chief Klosh-kwan.
One day, Ugh-gluk talked to Keesh. "It is said that you hunt with evil spirits, and they help you kill the bear."
"Is not the meat good?" Keesh answered. "Has anyone in the village yet become sick after eating it? How do you know evil spirits are with me? Or do you say it because I am a good hunter?"
Ugh-gluk had no answer.
The council sat up late talking about Keesh and the meat. They decided to spy on him.
On Keesh's next trip, two young hunters, Bim and Bawn, followed him. After five days, they returned. The council met to hear their story.
"Brothers," Bim said, "we followed Keesh, and he did not see us. The first day he came to a great bear. Keesh shouted at the bear, loudly. The bear saw him and became angry. It rose high on its legs and growled. But Keesh walked up to it."
"We saw it," Bawn, the other hunter, said. "The bear began to run toward Keesh. Keesh ran away. But as he ran, he dropped a little round ball on the ice. The bear stopped and smelled the ball, then ate it. Keesh continued to run, dropping more balls on the ice. The bear followed and ate the balls."
The council members listened to every word. Bim continued the story. "The bear suddenly stood up straight and began to shout in pain.
"Evil spirits," said Ugh-gluk.
I do not know," said Bawn. "I can tell only what my eyes saw. The bear grew weak. Then it sat down and pulled at its own fur with its sharp claws.  Keesh watched the bear that whole day."
"For three more days, Keesh continued to watch the bear. It was getting weaker and weaker. Keesh moved carefully up to the bear and pushed his father's spear into it."
"And then?" asked Klosh-kwan.
"And then we left."
That afternoon, the council talked and talked.  When Keesh arrived in the village, the council sent a messenger to ask him to come to the meeting. But Keesh said he was tired and hungry. He said his igloo was big and could hold many people, if the council wanted a meeting.
Klosh-kwan led the council to the igloo of Keesh. Keesh was eating, but he welcomed them. Klosh-kwan told Keesh that two hunters had seen him kill a bear. And then, in a serious voice to Keesh, he said, "We want to know how you did it." Did you use magic and witchcraft?"
Keesh looked up and smiled. "No, Klosh-kwan. I am a boy. I know nothing of magic or witchcraft. But I have found an easy way to kill the ice-bear.  It is head-craft, not witchcraft."
"And will you tell us, O Keesh?" Klosh-kwan asked in a shaking voice.
"I will tell you. It is very simple. Watch."
Keesh picked up a thin piece of whalebone.  The ends were pointed and sharp as a knife. Keesh bent the bone into a circle. Suddenly he let the bone go, and it became straight with a sharp snap. He picked up a piece of seal meat.
"So," he said, "first make a circle with a sharp, thin piece of whale bone. Put the circle of bone inside some seal meat. Put it in the snow to freeze. The bear eats the ball of meat with the circle of bone inside. When the meat gets inside the bear, the meat gets warm, and the bone goes snap! The sharp points make the bear sick. It is easy to kill then. It is simple."
Ugh-gluk said, "Ohhh!" Klosh-kwan said "Ahh!"  Each said something in his own way. And all understood.
That is the story of Keesh, who lived long ago on the edge of the polar sea. Because he used head-craft, instead of witchcraft, he rose from the poorest igloo to be the chief in the village. And for all the years that followed, his people were happy. No one cried at night with pains of hunger.
(MUSIC)
Announcer: You have just heard the story, "Keesh."  It was written by Jack London. Your storyteller was Shep O'Neal.  This is Shirley Griffith.
(MUSIC)

sexta-feira, 15 de julho de 2011

EEL PIE ISLAND, THE ISLAND THAT ROCKED


source of the picture

www.rightmove.co.uk


Source of this entry: www.speakup.com.br

THE ISLAND THAT ROCKED

Before the famous Woodstock Festival of 1969, a tiny island in some of the biggest names in the rock world. The Who, David Bowie, Pink Floyd and Rolling Stones were just some of the musical giants to perform on Eel Pie Island in the 1960s. yet even during the 1950s this remarkable place had offered a post-war generation its first taste of youthful freedom.

THE KING AND I

Eel Pie Island, the only inhabited island in London’s River Thames, is just 600 yards (584 metros) long and 150 yards (137 metres) at its widest. It is said to have got its name from the time of King Henry VII, who allegedly liked to stop off there to buy his eel pies. In those days, eel pies were a popular snack. And Eel Pie Island, also gets a mention in Charles Dickens’ famous novel Nicholas Nickleby (1839).

The island, which today has about 50 homes and 120 inhabitants, can only be reached by a footbridge. No cars are allowed on the island and before 1957, when the bridge was completed, people had to access Eel Pie Island by boat. Swimming across was another alternative, but dangerous currents and cold, dirty water did not make it a very attractive one.

THANK YOU ARTHUR

It was in the mid1950s that a man called Arthur Chisnall took over the island’s now legendary Eel Pie Island Hotel and turned it into a jazz club. Its focus changed in the 1960s with the booking of groups like The Rolling Stones, who were just starting out. Chisnall had a mission. He wanted to help young people achieve their full potential, especially those who did not quite fit into mainstream society. Post war Britain was a conventional place –the swinging ‘60’s were also still in their infancy. According to Trevor Baylis. The inventor of the wind-up radio, who now lives on the island, the concerts were not just about music and creativity. They also provided the ideal opportunity to meet members of the opposites sex!

Sadly, by 1967, the hotel was in bad condition and the owner could not afford the large repair cost. It was closed down and in 1971, a mysterious fire led to the remaining hotel being demolished and houses being built on the site.

It seemed like the end of an era, although today the island is enjoying something or a revival: recently the pop singer Mika named eel Pie Island as the most romantic place in London.

A MODERN HERO

To find out more about this intriguing place, we met with Michele Whitby, co-author of the book, Eel Pie Island. As she explains, Arthur Chisnall was something of a visionary:

Michele Whitby:

There was a guy called Michael Snapper, he bought the hotel on Eel Pie Island in 1952. He was an antique dealer and he had a shopin Kingston, and Arthur Chisnall worked there. Arthur was a social researcher and he was really interested in the sort of problem teenagers that seemed to be emerging in the ‘50s.

It was quite a new phenomenon. As Arthur once said, “Before the war, people just seemed to go from short pants to long,” meaning that they basically turned into their parents. As long as they grew up, they just did what their dad did or their mum did, and this was the first generation of people that were actually rebelling, and he was just really interested in why they were rebelling. Obviously they didn’t want to fit into the prevailing society, and Arthur wondered “Well, what do they want?” And Arthur noticed, through working in Michael Snapper’s junk shop, that there were all these art students were coming in and bringing in all these records and buying up other records. He thought that they were a “trend-forming group” and he thought that, if you could tap into their way of thinking, and see what they felt, and what they needed, then you would be able to provide resources for them.

This was better than just saying, “These are terrible people, let’s just brush them under the carpet.” Arthur’s approach was very, very different, so he had came to an agreement for a ballroom on the side of the hotel. So he started the Eel Pie Jazz Club in 1956.

SEX & DRUGS & ROCK’N’ROLL

In the “Swinging ‘60s’ eel Pie Island was considered a wild place, but Michele Whitby says that this reputation wasn’t deserved.

Michele Whitby:

Obviously, there were people smoking dope and whatever there, but so many of the people I spoke to said drugs just weren’t on the menu, they couldn’t afford them! OK, it had a bad reputation, every girl in the area was forbidden from ever going across that bridge, but ironically a lot of women I’ve spoken to just talk about how safe they felt there. Arthur basically kept an eye on everyone, and he had people in the crowd, psychologists and policemen, people that were just go and chat about birth control, for example, which, in the ‘50s and ‘60s, was a big deal, there was a network of people who could help you. I think a lot of the negative stories about Eel Pie Island were perpetuated in the press, who saw it as “ the den of iniquity,” “the devil is playground etc. Ok, there must have been an element of truth in it, but, from what I can gather, talking to people, generally, it wasn’t like that, and it was just people going there, letting their hair down, having a good time, by today’s standards, it was just absolutely no big deal. But “the establishment and the conservative public in general were just horrified!

For more information about dates when Eel Pie Island can be visited, please visit: http://www.richmond.gov.uk/arts .

Liked this blog? Thank you for visiting, please recommend it for friends using the social networking sites.Eel  

quarta-feira, 27 de abril de 2011

Royal Wedding, Kate and William


Source: Maganews

I recommend this magazine for Students and Teachers, take out a subscription visiting the website http://www.maganews.com.br

Fairytale
Countdown to the
Royal Wedding

Kate and William will marry on April 29 in London, in front of kings, princes and heads of state [1] from around the world 

  It is normal for the bride [2] and groom [3] to get nervous andanxious in the days leading up to their wedding. But in the case of Prince William, the nervousness is perhaps somewhat amplified. In late March he confessed to the British press that he has had trouble sleeping. This nervousness is with good reason: the images of his marriage to Kate Middleton will be beamed [4] around the world. The ceremony will be held on April 29, at Westminster Abbey, in London. About 1,900 people, including relatives, friends, kings, and heads of state from around the world have been invited to the wedding. After the ceremony there will be a reception for 600 guests [5] at Buckingham Palace. Among the guests are celebrities such as singer Elton John and the couple David and Victoria Beckham. William and Kate do not want to get any wedding gifts. The couple has asked guests to make donations to charities.

Courtship began in Scotland

William met Kate in 2001 when both were students at St. Andrews University, in Scotland. Two years later they started dating. Speculation about a possible marriage lasted so long that the British press dubbed [6] Kate "Waity Katy." This long courtship [7] has gone through several crises over the past few years but finally, in October 2009, William asked Kate to marry him during a vacation in Kenya.


Matéria publicada na edição de número 60 da Revista Maganews.
Picture - Prince William and Kate Middleton official engagement portrait – by Mario Testino
Áudio (narração) - David Hatton

Vocabulary


1 heads of state – chefes de estado
2 bride – noiva
3 groom – noivo
4 to beam (emitir / irradiar) - to be beamed – ser transmitido
5 guest – convidado
6 to dub – apelidar
7 courtship - Relacionamento

quinta-feira, 7 de abril de 2011

AFFORDABLE ART

Source: www.speakup.com.br
Standard: American and British accent
Language level: Pre-intermediate






AFFORDABLE ART

The Affordable Arts Fair (AAF) is one of London’s most important and popular contemporary art events. It’s an art fair with a difference. The atmosphere is relaxed, and the prices are low. That’s because there is a maximum price limit of £3.000 (€3.400).The fair is at the Battersea Evolution arena in Battersea Park., in south London, from March 10th to 13th.

A GREAT IDEA

Will Ramsey is the founder of the AAF. Interest in art increased in the 1990s, and Ramsey, wanted to open the exclusive art world to everyone. In 1996, he opened the gallery Art Warehouse in Putney, London. He created a relaxed atmosphere and sold new artists’ work at relatively low prices – from €55 to £2.800.

The Art Warehouse was a big success. Ramsey decided to organise the first AAF in October 1999. The fair attracted 150 artists and over 10.000 visitors. Today the London fair attracts 25.000 visitors and the AAF is a global phenomenon. There are also AAF events in Amsterdam, Paris, Brussels, New York and Singapore.

THE ART OF LOVE

Artist Rachael Edgar is a five-year participant at the AAF. She says, “It’s brilliant! People come and buy art for the first time in their lives. And there’s a rest mix of work, from painting to sculpture to photography to printmaking.” This year Edgard brings “Love is a Wager in an Open Car” (far left): it will cost you just €255.

New artist Orlando Lund has visited the fir several times, and he bought a Peter Blake print five years ago. He says. “The AAF definitely inspires me, and influenced the type of work I do.” He explains. “You see the wok of a new artist and think ‘Wow!’ and then you think ‘I could do that.’

PASSION

The fair offers new and experienced collectors a wide range of works, from Paul Bower’s inexpensive print. “You Are Free” (€187) to established artist Christine Reliton and Tom Marine’s Three Fish XI” (bellow) at €2.550. art advisor Thea Westreich says. “For some people, it’s a party, and everyone loves a party! For some, it’s an investment. And, for others, it’s their passion.”

Affordable Arts Fair
Battersea Evolution
Battersea Park, London
Information +44 (0) 870 777 2255

Will’s Art Warehouse
180 Lower Richmond Road.
Putney, London SW15 1LY
Tel: +44 (0) 20 8246 4840
Email: info@ills-art.com

quinta-feira, 24 de março de 2011

From Medieval to Art Deco

Source: www.speakup.com.br
Language level: Avanced
Speaker: Mark Worden
Standard: British accent


FROM MEDIEVAL TO ART DECO...

Eltham Palace is a little known, but fascinating, London tourist attraction. Originally it was a medieval royal palace, but it later fell into decline. In the 1930s it was acquired by a wealthy couple who transformed it into a temple of Art Deco. And, so, if you visit Eltham Palace today, you can see two very different styles side by side. SpeakUp went to Eltham Smith, who works for English Heritage as Curator for Collections for South London. She talked about Eltham Palace’s unusual history.

Annie Kemkaran-Smith

Standard English accent.

The whole site as a manor house dates from around the 11th century. Bishop Odo, who was a half-brother of William the Conqueror, was given it by his brother, and, from that point, really up until the sort of 14th century, it stayed as a manor house. It was given to Edward I in the 1300s and, from that point on, it became a royal property and various monarchs did building schemes to improve it. Some of the monarchs that spent a lot of time here. Edward IV, he built the Great Hall, as you see it now, Henry VII spent a lot of time here and  and Henry VII was actually raised in the royal nursery when it was at Eltham.

AHEAD OF THEIR TIME…

Eltham Palace changed dramatically when it was bought by Sir Stephen Courtauld and his Italian-Hungarian wife, Virginia Peirano the Cortaud family had made their fortune in textiles and Stephen’s older brother Samuel founded London’s Coutard Institute of Art. The cople revolutionised Eltham Palace.

Annie Kemkaran-Smith

In domestic architecture, I think it was streets ahead of its time. I think there are public places like hotels and other public buildings that probably had the same general style, but I think in this house at Eltham the fantastic things that you see, like the centralized vacuum cleaner system, so there’s a motor the actual hardware in the basement, so all the maids had to do was plug in hoover up and it would all get collected in the basement. That kind of thing is so advanced for the 1930s period that they were far ahead of the rest of the world.

CRYSTAL PALACE DINOSAURS (no audio)

In Park in South London there is a strange and unexpected sight Groups of huge animals gather at the edge of a lake, looking of prey of relaxing in the sun. These are the Chrystal Palace dinosaurs, the world’s first dinosaur sculptures.

Victorian London was fascinated with dinosaurs and when Crystal Palace Park opened in 1852, the sculptor Benjamin Waterhouse Hawkins was commissioned to build life-size models. To celebrate their competition, on New Year’s Eve1853 Hawkins held a dinner party in the stomach of an Iguanodon!

In all 15 different species of dinosaur and other extinct animal appeared in the park. They were a sensation in London at the time. But the term dinosaur, meaning ‘terrible lizard, had only been invented ten years earlier and the science was new. The models were not very realistic and soon became ridiculed, overgrown and forgotten. Today they have been fully restored and stand proudly again in their own corner of London.

CRYSTAL PALACE PARK (NO AUDIO)

The Crystal Palace was an enormous building of iron and glass. It was built to house the Great Exhibition of 1851, a celebration of British Industry and culture which was visited by a third of the UK’s population!

Following the exhibition, the Crystal Palace was created. It stood here from 1854 to 1936, when it was destroyed by fire. The park occupies one of the highest points in London, with great views over the city.

In addition to the dinosaurs, the park is home to a museum, the National Sports Centre and London’s largest maze!

VISITING INFO

Address: Thicket Road, Penge SE20 8DT
Entry: free, open daily from dawn to dusk.
Travel: overground train from Victoria to Crystal Palace or from London Bridge to Penge West

NEW YORK DINOSAUR LEGEND

Following the initial success of his Crystal Palace models. Hawkins travelled to the US to build dinosaurs for New York’s Central Park. However, the project fell victim to local politics. His giant sculptures were destroyed, and legend has it they were buried in the south of the park, near Umpires Rock where they still lie today.