Mostrando postagens com marcador Actors. Mostrar todas as postagens
Mostrando postagens com marcador Actors. Mostrar todas as postagens

quarta-feira, 30 de março de 2011

Marlon Brando, 1924-2004: One of the Greatest Actors of All Time

Marlon Brando, 1924-2004: One of the Greatest Actors of All Time

Source: www.manythings.org/voa/people originally posted by  www.voanews.com

I'm Faith Lapidus.
And, I'm Steve Ember with PEOPLE IN AMERICA in VOA Special English. Today, we tell about actor Marlon Brando. Many critics say he was the greatest actor of all time. And many actors say he influenced them more than any other person in the film industry.
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There was no public service to honor Marlon Brando when he died in two thousand four at the age of eighty. The actor's sister, Jocelyn Brando, said he would have hated such an event. The family held a small private ceremony instead.
Brando did not seek public attention when he was alive. He protected his private life. But he was a huge star. This, combined with his personal tragedies and his politics, made him a special target of the press.
Marlon Brando was born in Omaha, Nebraska in nineteen twenty-four. He was named after his father, a salesman, but his family called him Bud. His mother, Dorothy, was an actress in the local theater. He had two older sisters.
Marlon Brando's childhood was not happy. His parents drank too much alcohol and argued often. Dorothy Brando blamed her husband for the failure of her acting career. The older Marlon Brando did not have a good relationship with his son. In a book about his life, the actor wrote that his father never had anything good to say about his son.
The Brandos moved many times when Marlon was young. His parents separated when he was eleven, but they re-united after two years. Young Marlon was always getting into trouble at school. His father decided to send him to a military school in Minnesota. Marlon did not do well in classes there. But he did find support for his interest in theater. A drama teacher urged him to begin acting in plays there and he did. But he was expelled from the school for getting into trouble.
Marlon Brando moved to New York City when he was nineteen years old in nineteen forty-three. He took acting classes at the New School for Social Research. One of his teachers was Stella Adler, who taught the "Method" style of realistic acting. The Method teaches actors how to use their own memories and emotions to identify with the characters they are playing.
Marlon Brando learned the Method style quickly and easily. Critics say he was probably the greatest Method actor ever. One famous actress commented on his natural ability for it. She said teaching Marlon Brando the Method was like sending a tiger to jungle school.
Marlon Brando appeared in several plays. He got his first major part in a Broadway play in nineteen forty-seven, at the age of twenty-three. He received great praise for his powerful performance as Stanley Kowalski in the Tennessee Williams play, "A Streetcar Named Desire."
His fame grew when he acted the same part in the movie version, released in nineteen fifty-one. Brando plays an angry working-class man. His wife's sister, Blanche, comes to visit them in New Orleans, Louisiana. Blanche's family used to be rich landowners but they lost all their property. Now she is mentally unstable. Stanley treats Blanche unkindly and insults her. Here, he tells Blanche what he thinks about women.
STANLEY: "I don't go in for that stuff."
BLANCHE: "What stuff?"
STANLEY: "Compliments to women about their looks. I never met a dame yet didn't know if she was good-lookin' or not without bein' told. And there's some of them that give themselves credit for more than they've got. I once went out with a dame who told me, 'I'm the glamorous type'…she says 'I am the glamorous type.' I says 'so what?'"
BLANCHE: "And what did she say then?"
STANLEY: "She didn't say nothin'. I shut her up like a clam."
"Streetcar" was Brando's second film. He was nominated for an Academy Award for the performance. He was nominated for Oscars for his next two films as well. In nineteen fifty-two he played Mexican revolutionary leader Emiliano Zapata in the movie "Viva Zapata." The following year he played Marc Antony in "Julius Caesar."
Marlon Brando did not win an Oscar for Best Actor until nineteen fifty-four for the movie "On the Waterfront." Many critics consider it his finest performance. The film's director, Elia Kazan, said it was the best performance by a male actor in the history of film.
Brando plays Terry Malloy, a failed boxer. He informs on organized crime leaders, including his brother, Charlie. His brother had made him lose fights on purpose so Charlie could make money gambling on the fights. But now, Terry expresses his regrets about losing the fights.
TERRY MALLOY: "You don't understand. I coulda had class. I coulda been a contender. I coulda been somebody instead of a bum which is what I am. Let's face it."
Marlon Brando acted in about forty movies. He was nominated for a total of eight Academy Awards. In his movies, he played a Japanese translator, a German Nazi military officer and the father of Superman. He even sang in a movie musical called "Guys and Dolls."
His real life was as colorful as his many movie characters. His love life was especially active. He married actress Anna Kashfi in nineteen fifty-seven. The marriage had problems from the start. Their child, a son named Christian, was born a few months after they married. They separated the next year.
In nineteen sixty, Brando married Movita Castenada, a Mexican-American actress. They had two children before they separated in nineteen sixty-two. The same year, he married a Tahitian actress, Tarita. The two had met while filming the movie "Mutiny On the Bounty."
Brando's marriage to Tarita lasted ten years. But his love of Tahiti never ended. In nineteen sixty-six, he bought a small island near Tahiti. Brando divided his time between his island and his home in California for the rest of his life.
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Critics say Marlon Brando began to suffer professionally during and after his work on "Mutiny on the Bounty." Hollywood directors and producers considered him difficult to work with. Some critics said the actor appeared to be tired of acting.

But that changed in nineteen seventy-two when Brando appeared in "The Godfather." At first, the film studio officials did not want Brando in the movie. But the director, Francis Ford Coppola, chose him for the part. The film was a major critical and financial success. Brando was praised for his performance as the Godfather, Vito Corleone, the powerful head of a criminal organization in New York City. He speaks to a man who wants the Godfather to have someone killed.
VITO CORLEONE: "If you'd come to me in friendship then this scum that ruined your daughter would be suffering this very day. And if by chance an honest man like yourself should make enemies, then they would become my enemies. And then they would fear you."
Marlon Brando won the Best Actor Oscar for "The Godfather." But he rejected it. He sent a woman named Sasheen Littlefeather to speak for him at the Academy Awards ceremony. She said that Brando could not accept the award because of the way the American film industry treated Native Americans. The people at the Academy Awards ceremony did not like the speech. But some experts think the action helped change the way American Indians were shown in movies.
Marlon Brando was also active in the civil rights movement. He spoke out against racism often and forcefully. He marched in demonstrations. And he gave money to civil rights groups.
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Marlon Brando had two family tragedies. In nineteen ninety, his son, Christian, shot and killed a Tahitian man at the family's home in California. The victim, Dag Drollet, was the boyfriend of Brando's daughter, Cheyenne. Christian Brando said the killing was accidental. He was found guilty of responsibility in the death and served almost five years in prison.
During the trial, Marlon Brando told the court that he and Anna Kashfi had failed Christian as parents. He also apologized to the Drollet family and said he wished he could trade places with their son.
In nineteen ninety-five, Marlon Brando's daughter Cheyenne killed herself. She had struggled with mental problems and was still depressed about the killing of her boyfriend.
Marlon Brando never made public statements about the death of his daughter. But reports said he blamed himself. He did not attend his daughter's funeral in Tahiti.
In the following nine years, he made just four more movies. And the parts he played were small. But his influence on the American film industry was huge. When Marlon Brando died, many famous actors expressed regret. One of them said simply: "He was the best."
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This program was written and produced by Caty Weaver. I'm Steve Ember. And I'm Faith Lapidus. Join us again next week for another PEOPLE IN AMERICA in VOA Special English.

domingo, 20 de março de 2011

Hollywood's actor and actrees Screen names

HOLLYWOOD STYLE


Source: Speak Up
Speaker: Chuck Rollando
Language level: Upper Intermediate


In the golden age of Hollywood studios created personas for their stars. They chose names that sounded sexier, more American or simply memorable. These days actors are not owned by studios, but still make adjustments to the names they were born with. Why?

SEXY

Frances Gumm sounds ordinary and boring, but Judy Garland is adorable, Virginia McMath doesn’t sound like a dancing sensation, but Ginger Rogers does  (a child’s mispronunciation of Virgina, plus her stepfather’s surname). Lauren Bacall was a wonderful femme fatale, but would she have won Humphrey Bogart’s heart if she was still Betty Joan Perske? The sexiest improvement was surely from Norma Jeane Baker to Marilyn Monroe.

It works for men, too. Archibald Leach sounds like a tired old shopkeeper. Cary Grant is much more sophisticated. Thomas Cruise Mapother IV makes little impression, but we all know Tom Cruise.

SIMPLICITY AND STYLE

Simplicity is crucial for all actors, from comedians to romantic stars. Stan Laurel, of comedy duo Laurel and Hardy, sounds funnier than Arthur Stanley Jefferson. Maurice Micklewhite might be a great actor, but his iconic status is helped by the name Michael Cain.camille Javal sounds interesting, but surely not as memorable as Brigitte Bardot.

Sometimes a small change does wonders. Jodie foster, Sigourney Weaver an Meryl  Streep have a movie magic about them that Alicia Foster, Susan Weaver and Mary Louise Streep do not. Frank cooper could not be the western hero that Gary Cooper became.

The starts of My Fair Lady both simplified their names: Reginald Harrison became the archetypal English gentlemen  Rex Harrison; Edda Van Heemstra Ruston disguised her European origins with the name Audrey Hepburn.

EXOTIC/

Many stars hope to hide ethnic origins –or just want their names to be easier to pronounce. The Graduate’s Anne Bancroft had to change form Anne Italiano. Alan Alda, from M*A*S*H, created his surname from initial letters of his real name, Alphonso D”Abruzzo. Would comedy partners Jerry Lewis and Dean Martin have been as popular as Joseph Levitch and Dino Crocetti?

Al Jolson sounds more American than Asa Yoelson. Woody Allen and Mel Brooks are easier to recognize than Allen Kronigsberg and Mel Kaminsky. Walter Matthau is memorable, but would you remember Walter Matasschanskayasky:  Doris Kappelhoff lacks the girl-next-door magic of Doris day. Freeric Austerlitz hid his German roots by becoming Fred Astaire. Issur Demsky’s Russian family turned him into heroic Kirk Douglas. Charles Buchinksky sounds tougher as Charles Bronson, while Martin Sheen won star roles by changing from Ramones Estevez.

English actor William Pratt is the exception. He became screen legend Boris Karloff a middle European name, perfect for horror movies.

ALL IN THE FAMILY

Some try to avoid accusations of nepotism. Emilio Estevez his father’s real surname, while Brother Charlie Sheen kept the screen name. Would Nicholas Cage have succeeded sooner if he had still been Nicholas Coppola, nephew of director Francis Ford Coppola?

Others changed embarrassing names: Marion Morrison, a woman’s name was no good for the epitome of masculinity John Wayne.

The strangest story is that of Yul Brynner. He often claimed he was Taidje Khan, of Mongolian-Japanese origins, but his name was really Yul Brynner and has parents Russian.

SCREEN NAME
REAL NAME
Joan Crawford
Lucille Fay LeSueur
Cher
Cherllyn Sarkisian
Dirk Bogarde
Derek Jules Caspard Ulric Niven
Van den Bogaerde
Lou Costello
Louis Francis Cristillo
Tony Curtis
Bernard Schwartz
Bette Davis
Ruth Elizabeth Davis
Marlene Dietrich
Marie Magdalene Deitrich
Mia Farrow
Maria de Lourdes Villers-Farrow
Jean Harlow
Harlean Carpentier
Rita Hayworth
Margarita Carmen Cansino
Bob Hope
Leslie Townes Hope
Rock Hudson
Roy Harold Scherer Jr.
Buster Keaton
Joseph Frank Keaton VI
Michael Keaton
Michael John Douglas
Natassja Kinski
Nastassja Naksyzns
Hedy Lamarr
Hedwig Eva Maria Kiester
Bruce Lee
Lee Jun Fan
Vivien Leigh
Vivian Hartley
Sophia Loren
Sofia villani Scicolone
Bela Lugosi
Bela Ferenc Dezso Blasko
Shirley MacLaine
Rosmarie Magdelena Albach
Barbara Stanwyck
Ruby Stevens
Rudolph Valentino
Rodolfo Pietro Filiberto Raffaello
Guglielmi di Valentina
Gloria Swanson
Gloria Svensson
Shelley Winters
Shirley Schrift.