sábado, 2 de abril de 2011

DISARMING BRITAIN


Source: www.speakup.com.br

KNIFE CRIME

DISARMING BRITAIN

      Since 2004 Britain has witnessed art increase in violent crime involving Young people. And there has been a particular rise in the number of victims killed by knives.
      This phenomenon has caught the attention of both the media an the authorities. In 2006 the London Metropolitan Police launched “Operation Blunt” as part of a long term strategy to tackle knife crime. Much of the works is preventive: examples include advertising campaigns, better patrolling by the procedures and metal detectors.
      Local London boroughs are also working with schools. Kensington and Chelsea, for example, launched “Operation Sabre.” Children were invited to design a poster to be used on bus routes. The operation also included six “knife surrender him. “which were placed at locations throughout the borough. As a result, 139 knives were collected. Most were kitchen knives, but there was an assortment of more lethal weapons, including a machete.

      A BIG MISTAKE

      According to a survey conducted in 2004, most young people carry knives thinking that they can use them for protection. Yet research has shown that it is more likely that an assailant will seize your knife and use it against you.
      Much of the campaigning against knife crime is led by people who have lost friends or family member. Londoner Alexander Rose is a case in point. He was still a teenager in 2006 when a 16-year-old friend was stabled to death. He launched a campaign called “STOP” (“Solve This Ongoing Problem”) which is supported by Battlefront.co.uk, an online network run by Channel 4.
      As part of the campaign to educate people about the danger of carrying blades, hundreds of knives seized by police were melted down and forged into pendants engraved with the words “This used to be a knife.”
      2006 was also the year that Ann Oakes Odger decided to found the charity Knife Crime.Org (www.knifecrime.org). This was after her 27-year-old son Westley had been stabbed to death, following an argument at a cash machine in colchester. Ann started a campaign to change the law. And it has worked: the sentence for adults who murder someone with a knife has been raised from 15 to 25 years.

      THE ART OF EDUCATION

      And some of the campaigns have been set up by the victims of knife crime. Oliver Hemsley, for example, is a 21-year-old art student who is now in a wheelchair after an unprovoked attack. Oliver decided to live and launched a social initiative called Art Against Knives. This London-based charity works on the roots of the problem by offering young people a creative alternative to violent gang culture. For more, visit www.artaginstknives.com .


Dancing Queen


A song can teach much, listen to music could provide a self-studying and improve your English.
Author: ESL Teacher Irina from Lativia

You  dance, you can jive,  the time of your life
See that , watch that scene, dig in the dancing queen

 night and the lights are low
Looking out for the place to 
Where they play the right , getting in the swing
You come in to look for a 
Anybody could be that 
Night is  and the music’s 
With a bit of rock music,  is fine
You’re in the mood for a 
And when you  the chance...

You are the dancing , young and sweet, only seventeen
Dancing , feel the beat  the tambourine
You  dance, you can jive,  the time of your life
See that , watch that scene, dig in the dancing 

You’re a , you turn ’em on
Leave them burning and then you’re 
 out for another, anyone will do
You’re in the mood for a 
And when you  the chance...

You are the dancing , young and sweet, only seventeen
Dancing , feel the beat  the tambourine
You  dance, you can jive,  the time of your life
See that , watch that scene, dig in the dancing 

Around the World in 80 Days Chapter 4/6



Source: http://www.youtube.com/watch?v=ifwlSOesXJY

For Fans of Edgar Allan Poe, a Happy 200th Birthday

Source: Voice of America Special English
www.manythings.org/voa/people 



Welcome to THIS IS AMERICA in VOA Special English. I'm Steve Ember. And I'm Shirley Griffith. This year is the two hundredth anniversary of the birth of writer Edgar Allan Poe. The United States Postal Service is honoring him with a stamp. And several museums in cities where he lived are remembering him with plays, readings and other events. This week on our program we explore his life and the continuing influence of his work.
(MUSIC)
Edgar Allan Poe wrote stories and poems of mystery and terror, insanity and death. His life was short and seemingly unhappy.
He was born Edgar Poe on January nineteenth, eighteen hundred and nine in Boston, Massachusetts. His parents were actors. He was a baby when his father left the family. And he was two when his mother died. At that time they were in Richmond, Virginia.
Edgar went to live with the family of a wealthy Richmond businessman named John Allan. John Allan never officially adopted him as a son, but the boy became known as Edgar Allan Poe.
He attended schools in England and in Richmond. He also attended the University of Virginia in Charlottesville. He was a good student. But he had a problem with alcohol. Even one drink seemed to change his personality and make him drunk. Also, he liked to play card games for money. Edgar was not a good player. He lost money that he did not have.
John Allan refused to pay Edgar's gambling losses. He also refused to continue paying for his education. So the young man went to Boston and began working as a writer and editor for monthly magazines.
Poe served in the Army for two years, before entering the United States Military Academy at West Point to become an officer. He was dismissed from the academy in eighteen thirty-one after six months. By then he had already published three books of poetry.
He began writing stories while living with his aunt in the city of Baltimore, Maryland. In October of eighteen thirty-three, he won a short story contest organized by a local newspaper. He received fifty dollars in prize money and got a job editing the Southern Literary Messenger in Richmond. He published many of his own stories.
In eighteen thirty-four, Poe married his cousin Virginia Clemm, the thirteen year old daughter of his father's sister. They moved to Philadelphia, Pennsylvania, in eighteen thirty-eight. There, Poe served as editor of Burton's Gentleman's Magazine and continued to write.
He published many of his most frightening stories during this time. These included "The Black Cat," "The Fall of the House of Usher" and "The Pit and the Pendulum."
Edgar Allan Poe did something unusual for writers of his time: he used a narrator in a story to describe what was happening. A good example is the short story "The Tell-Tale Heart."
The narrator claims that he is not mad, yet reveals that he is a murderer. He has killed an old man for no apparent reason. He cuts up the body and hides the parts under the floorboards of the victim's house.
Police officers arrive after getting reports of noises from the house. The murderer shows them around the house and is proud of the way he has hidden all the evidence. But he begins to hear a sound. The others in the room cannot hear it.
READER:
Yet the sound increased -- and what could I do? It was a low, dull, quick sound -- much a sound as a watch makes when enveloped in cotton. I gasped for breath -- and yet the officers heard it not. I talked more quickly -- more vehemently; but the noise steadily increased. I arose and argued about trifles, in a high key and with violent gesticulations; but the noise steadily increased. Why would they not be gone? I paced the floor to and fro with heavy strides, as if excited to fury by the observations of the men -- but the noise steadily increased. Oh God what could I do? I foamed -- I raved --I swore. But the noise continually increased. It grew louder -- louder -- louder!
Edgar Allan Poe is also remembered for the kind of literature known as detective fiction. These are stories of an investigator who has to solve murders and other crimes.
In fact, Edgar Allan Poe is considered the father of the modern detective novel. His fictional detective C. August Dupin first appeared in his story "The Murders In the Rue Morgue" in eighteen forty-one. Dupin also appeared in two later stories, "The Mystery of Marie Roget" and "The Purloined Letter."
Arthur Conan Doyle, creator of the fictional detective Sherlock Holmes, wrote about Poe's influence on other crime writers: "Each may find some little development of his own, but his main art must trace back to those admirable stories of Monsieur Dupin, so wonderful in their masterful force, their reticence, their quick dramatic point."
Jeff Jerome is the curator of the Edgar Allan Poe House and Museum in Baltimore. He says Poe's influence can also be seen in the work of H.G. Wells and Alfred Hitchcock, to name a few. Poe's influence extends to plays, movies, operas, music, cartoons, television, paintings -- just about every kind of art.
Poe's creation of the detective novel is recognized by the Mystery Writers of America. The writers group presents the yearly Edgar Awards to honor the best detective and suspense books, movies and TV shows.
An award also goes to an individual, organization or business for working to continue the influence of Edgar Allan Poe. The award is named for Poe's most famous work. This year, the Edgar Allan Poe Society and the Poe House in Baltimore will receive the Raven Award.
Edgar Allan Poe became famous after "The Raven" was published in eighteen forty-five. The poetry is rich in atmosphere. The rhythm suggests music.
The narrator of "The Raven" is a man whose love has died. He sits alone among his books late at night. He hears a noise at the window:
READER:
Deep into the darkness peering, long I stood there wondering, fearing,
Doubting, dreaming dreams no mortals ever dared to dream before;
But the silence was unbroken, and the stillness gave no token,
And the only word there spoken was the whispered word "Lenore!"
This I whispered, and an echo murmured back the word, "Lenore!"
Merely this, and nothing more."

The man finds a large black bird and asks it questions. The raven answers with a single word: "Nevermore." At the end of the poem, the man has quite clearly gone mad from grief:
READER:
And the raven, never flitting, still is sitting still is sitting
On the pallid bust of Pallas just above my chamber door;
And his eyes have all the seeming of a demon that is dreaming,
And the lamp-light o'er him streaming throws his shadow on the floor;
And my soul from out that shadow that lies floating on the floor
Shall be lifted -- nevermore!

The sadness and horror in Poe's writing might lead readers to suspect a disordered mind. Yet people who knew him reported him to be a nice man. Some even called him a real gentleman.
His wife died in eighteen forty-seven. Virginia Clemm Poe had suffered from tuberculosis for many years. At the same time, Poe's magazine failed, and so did his health. He died on October seventh, eighteen forty-nine, under mysterious conditions.
He was found in a tavern in Baltimore. He did not know where he was or how he got there. He was dressed in rags. He died four days later in a hospital. He was forty years old.
Over the years, historians and medical experts have tried to explain the cause of Poe's death. Some say he killed himself with drink. Others say he developed rabies from an animal bite. Many in Baltimore believe he was beaten by local criminal gangs.
Every year about two thousand people visit Edgar Allan Poe's grave at the Westminster Hall and Burying Ground in Baltimore. And every year on January nineteenth -- Poe's birthday -- people watch for a man dressed in black to appear. His face is covered. He places a bottle of French cognac and three roses on the grave.
No one in Baltimore really wants to know the visitor's identity. They prefer that it remain a mystery, much like Edgar Allan Poe himself.
Our program was written by Nancy Steinbach and produced by Caty Weaver. I'm Steve Ember. And I'm Shirley Griffith. Doug Johnson was our reader. To hear the short story "The Cask of Amontillado" by Edgar Allan Poe, listen at this time Saturday for the program AMERICAN STORIES. And join us again next week forTHIS IS AMERICA in VOA Special English

Green Energy, Windpower


Source: www.speakup.com.br

WE HAVE THE (WIND) POWER!

      Blessed with strong, consistent breezes that may soon rival the most gusty coasts of Europe and the United States. Brazil is on track to increase its wind energy capacity fivefold by 2013, further establishing the ethanol and hydroelectric giant as Latin America’s green energy leader.
      But for foreign world turbine producers looking to enter Brazil, questions remain about the country’s ability to solve transport issues, develop a reliable supply chain and spur public policy that will make windpower more attractive to investors.
      Northern Brazil is home to some of the best easterly wind partners in the world, which allow for the use of lighter turbines that cost less than ones used in the U.S. or E.U.  Brazil’s wind market more than doubled its installed capacity between 2008 and 2010 by reaching 900 megawatts. The government’s goal of 31.6 gigawatts capacity by 2025 would lead all of Latin America.
      Wind energy auctions in Brazil have placed 3.9 GW of new windpower in the energy pipeline for 2012 and 2013, but the questions begin with Brazilian infrastructure, which may be best described as an underdeveloped tangled mess. Most wind farms will be located in a handful of states in the Northeast of deep South, but manufacturing of parts for turbines have, until now, been spread sporadically throughout the country, particularly in the central states of São Paulo and Minas Gerais.
      More than 5.000 kilometers of road lie between turbine manufactures in São Paulo and the wind markets of Rio Grande do Norte and Ceará. Transport is costly on Brazilian highways, which are so poorly maintained in the northern part of the country that many have no shoulders, or haven’t been repaved following major floods.
      “Coastal navigation has to be better as well, it is a poor in Brail. Most transport has always been done by trucks,” says Pedro Perrelli, executive director of the Brazilian Wind Energy Association, ABEEólica industry groups will push for new industrial parks to be built in Rio Grande do Norte, where turbine suppliers now located in the south of Brazil could relocate to produce more efficiently.
      A major port in the northeast city of Natal also hasn’t been able to handle large turbine components being shipped into that region. Newly-elected government leaders will need to find an expansion solution for this port, which ideally would be counted on as a gateway for turbine parts shipped into the Northeast.
      Private lines of investment have been available to developers and turbine makers, but they are expensive. The industry’s ideal is to get loans from the Brazilian Development Bank or BNDES.
      But so far, many applicants have been stopped from qualifying because of strict loan requirements that call for a majority of a wind turbines parts and labor to come from within Brazil. Cheaper parts are made in other countries, but this requirement by the bank is meant to help boost production in Brazil. “There’s no cheaper money in Brazil than BNDES,” Perrelli says. “We need to discuss (with the bank) a ramp-up schedule o nationalizing the index o materials used.”
      A more clear schedule for energy auctions may also be set up to assure investors of long-term demand. A congressional bill now in play would force the federal government to buy 400MW of wind energy per year, but that amount is low and outdated. The bill was meant to encourage alternative energies, but is too generic to help wind power.
      Brazil’s existing network of transmission lines is also considered inefficient, increasing cost for investors and consumers. Government has been encourage to map the wind energy potential throughout the county to show investors what  areas clearly offer the best windpower opportunities.
      Training manpower for construction and post-construction jobs within the industry will also be a challenge in the Northeast, where some of the poorest and least educated Brazilians populate wind energy hot zones. Companies already invested in Rio Grande do Norte have partnered with a public technical college to create courses for engineers and construction workers. In Ceará, similar public-private training courses are being offered, with the state covering the student’s costs for their first six months.
      While significant infrastructure hurdles exist. Brazil’s public and private sectors have the chance to meet these challenges head on. If they do, Brazil could be a leader in the world’s wind energy market in the not too distant future.

sexta-feira, 1 de abril de 2011

Clara Barton,1821-1912: A Life of Caring for Others


Credits for VOA Special English www.voanews.com thank you so much for those daily visit English tips, if possible, telling for friends promoting my blog. Have a wonderful day/night all.
I'm Ray Freeman.
 
And I'm Shirley Griffith with the Special English program, PEOPLE IN AMERICA. Every week we tell about a person who was important in the history of the United States. Today we tell about a woman who spent her life caring for others, Clara Barton.
 
(MUSIC)
 

Clara Barton was a small woman. Yet she made a big difference in many lives. Today her work continues to be important to thousands of people in trouble.
 
Clara Barton was an unusual woman for her time. She was born on Christmas day, December twenty-fifth, eighteen twenty-one. In those days, most women were expected to marry, have children and stay home to take care of them. Barton, however, became deeply involved in the world.
 
By the time of her death in nineteen twelve, she had begun a revolution that led to the right of women to do responsible work for society. As a nurse, she cared for thousands of Wounded soldiers. She began the American Red Cross. And, she successfully urged the American government to accept the Geneva Convention. That treaty established standards for conditions for soldiers injured or captured during wartime.
 

Clara Barton really began her life of caring for the sick when she was only eleven years old. She lived with her family on a farm in the northeastern state of Massachusetts. One of her
brothers, David, was seriously injured while helping build a barn. For two years, Clara Barton took care of David until he was healed.
 
Most eleven-year-old girls would have found the job impossible. But Clara felt a great need to help. And she was very good at it. She also seemed to feel most safe when she was at home with her mother and father, or riding a horse on her family's land.
 
As a young child, Clara had great difficulty studying and making friends at school. Her four brothers and sisters were much older than she. Several of them were teachers. For most of Clara's early years, she was taught at home. She finished school at age fifteen. Then she went to work in her brother David's clothing factory. The factory soon burned, leaving her without a job.

Clara Barton decided to teach school. In eighteen thirty-six, she passed the teacher's test and began teaching near her home in North Oxford, Massachusetts. She became an extremely popular and respected teacher.
 
After sixteen years of teaching, she realized she did not know all she wanted to know. She wanted more education. Very few universities accepted women in those days. So Clara went to a special school for girls in Massachusetts. While in that school, she became interested in public education.
 

After she graduated, a friend suggested she try to establish the first public school in the state of New Jersey. Officials there seemed to think that education was only for children whose parents had enough money to pay for private schools.
 
The officials did not want Barton to start a school for poor people. But she offered to teach without pay for three months. She told the officials that they could decide after that if she
had been successful. They gave her an old building with poor equipment. And they gave her six very active little boys to teach.
 
At the end of five weeks, the school was too small for the number of children who wanted to attend. By the end of the year, the town built her a bigger, better school. They had to give her more space. She then had six hundred students in the school.
 
(MUSIC)
 

Within a year, Clara Barton had lost her voice. She had to give up teaching. She moved to Washington, D.C. to begin a new job writing documents for the United States government.
 
Clara Barton started her life as a nurse during the early days of the Civil War in eighteen sixty-one. One day, she went to the train center in Washington to meet a group of soldiers from Massachusetts. Many of them had been her friends. She began taking care of their wounds.
 
Not long after, she left her office job. She became a full-time nurse for the wounded on their way from the fields of battle to the hospital.
 
Soon, Barton recognized that many more lives could be saved if the men had medical help immediately after they were hurt. Army rules would not permit anyone except male soldiers to be on the battlefield. But Barton took her plans for helping the wounded to a high army official. He approved her plans.
 

Barton and a few other women worked in the battle areas around Washington. She heard about the second fierce battle at Bull Run in the nearby state of Virginia. She got into a railroad car and traveled there.
 
Bull Run must have been a fearful sight. Northern forces were losing a major battle there. Everywhere Barton looked lay wounded and dying men.
 
Day and night she worked to help the suffering. When the last soldier had been placed on a train, Barton finally left. She was just in time to escape the southern army. She escaped by riding a horse, a skill she gained as a young girl.
 
(MUSIC)
 

For four years, Clara Barton was at the front lines of the bloodiest battles in the war between the North and the South. She was there at Antietam, Fredericksburg, and Charleston. She
was there at Spotsylvania, Petersburg, and Richmond. She cleaned the wounds of badly injured soldiers. She eased the pain of the dying. And she fed those who survived.
 
When she returned to Washington, Clara Barton found she was a hero. She had proved that women could work in terrible conditions. She made people understand that women could provide good medical care. She also showed that nursing was an honorable
profession.
 
After the war ended, Barton's doctor sent her to Europe to rest. Instead of resting, she met with representatives of the International Red Cross. The organization had been established
in eighteen sixty-three to offer better treatment for people wounded or captured during wars. She was told that the United States was the only major nation that refused to join.
 

Barton began planning a campaign to create an American Red Cross. Before she could go home, though, the war between France and Prussia began in eighteen seventy.
 
Again, Clara Barton went to the fields of battle to nurse the wounded. After a while her eyes became infected. The woman of action was ordered to remain quiet for months in a dark room, or become blind.
 
When she returned to the United States she again suffered a serious sickness. She used the time in a hospital to write letters in support of an American Red Cross organization.
 
(MUSIC)
 

In eighteen eighty-one, Barton's campaign proved successful. The United States Congress signed the World's Treaty of the International Red Cross. This established the American Chapter of the Red Cross. Clara Barton had reached one of her major goals in life.
 
The next year she successfully urged Congress to accept the Geneva Convention. This treaty set the international rules for treatment of soldiers wounded or captured in war.
 
For twenty-five years, Clara Barton continued as the president of the American Red Cross. Under her guidance, the organization helped people in all kinds of trouble. She directed the aid efforts for victims of floods in Johnstown, Pennsylvania and Galveston, Texas. She led Red Cross workers in Florida during an outbreak of the disease yellow fever. And she helped during periods when people were starving in Russia and Armenia.
 

Clara Barton retired when she was in her middle eighties. For her last home, she chose a huge old building near Washington, D.C. The building had been used for keeping Red Cross equipment and then as her office. It was made with material saved from aid centers built after the flood in Johnstown.
 
In that house on the Potomac River, Clara Barton lived her remaining days. She died after a life of service to others in April, nineteen twelve, at age ninety.
 
She often said: "You must never so much as think if you like it or not, if it is bearable or not. You must never think of anything except the need --- and how to meet it."
 
(MUSIC)
 

This Special English program was written by Jeri Watson. I'm Ray Freeman.
 
And I'm Shirley Griffith. Join us again next week for another PEOPLE IN AMERICAprogram on the Voice of America.

From the Movie Where's Dad?




FROM THE MOVIE




WHERE’S DAD?

December marked the 30th anniversary of a shocking event the murder of John Lennon by a deranged fan, Mark Chapman, outside the Dakota Building in New York. Lennon was 40 years old. Chapman, who was 25 at the time, is still in prison. Lennon had, of course, been a member of The Beatles, but his solo career, which produced such great songs as “imagine,” was also impressive.

Lennon once admitted that the thing that drove him to become a star was the lack of attention that he received as a child. his childhood was certainly complicated and it provided the inspiration for the film, Nowhere Boy.

Lennon was raised by his Aunt Mimi. His mother, Julia, and his father, Alf, had disappeared from his life when John was five. When John was a teenager he discovered that his mother was living in the same part of Liverpool. They got to know each other again and Julia even taught him to play the banjo, but their relationship ended dramatically when she was run over and killed by a car that was driven by a drunk off-duty policeman.

John was 17 when he lost his mother for the second time. This scene from Nowhere Boy takes place a few months before Julia death. It is John‘s 17th birthday and Julia is hosting a party for him at her house. Julia, who is played by Anne Marie Duff, has gone outside to have a cigarette. John, who is played by Aaron Johnson, decides to join her.

Julia (Liverpool accent): I wonder if someone’s up there, on Mars or something, having a quick cigarette like me.
John (Liverpool accent): Where’s Dad?
They’re called Dads, right? Most I know have got one.

Julia: I don’t think…
John: Oh, don’t you, Mum? Well, I do. Think, think, think: that’s all I do. Where’s Daddy, Mummy? “Alf,” that’s his name, right? Well, where’s fucking Alf, then?
Julia: Please don’t swear, John!
 John: Make you feel uncomfortable, does it? Well, try being me for the last 17 years! When everybody asks why your Auntie’s your Mum, now, that’s uncomfortable. (Julia starts crying) Oh, here we go! Who turned the taps on?
Julia: Please don’t be horrible to me, John!
John: No, me being horrible to you?
Oh, I see: horrible John, naughty John, poor Julia! (Julia starts to walk back towards the house) No, no, no walking away. Look, I know you’re good a it but not tonight.
Julia: John!
John: Where is he?
Julia: (She moans) Aaaah! New Zealand, maybe, I don’t know!
John: Not round the corner, like you?
Julia: He was in the Merchant Navy. No letters, no money. He abandoned us!
John: And you abandoned me!
Julia: It was a temporary thing: Mimi agreed!
John: Temporary? I’m still living with her?
Julia: I wanted you back, I always wanted you back!
John: Oh, I believe you, honest!
Julia: She never gave you back!
John: But, surely, I’m not Miami’s to give! You’re my Mum!
Julia: she….she loves you so much!
John: Yeah, more than you.