Language level: Advanced
Source: www.speakup.com.br
Standard: British accent
THE SONG
Video Killed The Radio Star
When television became popular in the 1950s, it was thought that this would spell the end for radio, but it survived this and many subsequent innovation.Yet in 1979 The Buggles released the huge hit "Video Killed the Radio Star." Co-written, sung and produced by studio wizard Trevor Horn, the singer reminisces about lying in Bed at night in 1952 (although Horn would then have been just three years old!), listening to what was then known as a "wireless." Despite his tender years, Horn was profoundly affected by what he heard.
Much has been written about the influence of the music video, but in the second verse Horn talks about how radio's influence has been ignored - the "second symphony" refers to the new wave of more electronic music, using technology to rewrite old ideas. (Ironically, the electronic synthesizer features heavily on the track, played by Hans Zimmer, who is now a film score composer). Some day in the future the singer will shamefully tell a new generation that video was the cause of the death of radio. The singer goes to an old radio studio to listen to old tapes on playback, and remembers the jingles, the short radio signature tunes - just like the "oo-a-oh" of the song. Radio was the first and the last, music started with radio, and will end with its demise. As he reflects, or looks around him as he drives his car, he realizes technology has come so far that is it impossible to rewind, or turn things back, and return to the golden age.
The song concludes with him surrendering to new technology of the VTR (Video Tape Recorder - now, 30 years later, it is itself obsolete!), and recognising the star on the screen as a one-time radio star.
"Video Killed The Radio Star" was also inspired by the science fiction story "The Sound Sweep" by J.G. Ballard. The song took three long months to record and went to number one in 16 different countries. MTV, no doubt aware of the irony, chose it as their one millionth video to be screened. Trevor Horn became a career-reviving producer, working with Rod Stewart, Paul McCartney, Grace Jones and Tina Turner, amongst others.
He was also responsible for the success of Frankie Goes to Hollywood, a band who embraced the music video.
